The significance of art in relation to the gospel /by J. Charlene Baddour.

Typescript.

A Chronology of Nineteenth and Twentieth Cnetury Art Movements

Twentieth Century Painters

Part I

Chapter I. Introduction

Statement of the Problem -- Importance of and Interest in this Study -- Source and Material -- Method of Procedure.

Chapter II. The Purpose of Art

The Modern Artist's Purpose -- The Impressionists -- The Expressionists -- The Cubists -- The Dadaists and Surrealists -- The Abstract Expressionists -- The Abstractionists -- The Biblical Position Regarding Art.

Chapter III. The Philosophical Background to Modern Painting

Hegel -- Kierkkegaard -- Sartre.

Chapter IV. Modern Painting

The Impressionists -- The Expressionists -- Cubism -- Expressionism -- Dada and Surrealism -- Abstract Expressionism -- Pop Art, Op Art, and Minimal Art -- Art is Dead Movement -- A Christian Analysis of Modern Painting.

Part II

Chapter V. Christian Art Defined

The Supreme Creator and Ruler of the Universe -- Criteria -- Christian Message in Two Parts -- The Problem of Unity.

Chapter Virgin Islands The Christian Artist Expressing the Christian Message

An Example -- Subject Matter -- Technique.

Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ.

List of Illustrations

Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille -- Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille -- Munch: "The Cry," from A Concise History of Modern Painting by Read -- Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read -- Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller -- Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read -- De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig -- De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig -- De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig -- Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read -- Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read -- Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar -- Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: Giraffe on Fire," 1935, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read -- Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read -- Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read -- Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar -- Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read -- Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt -- Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read -- Kandinsky: "Contact," 1924, from Kandinsky by Volboudt -- Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt -- Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt -- Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor -- Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor -- Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor -- Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor -- Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor -- Mondrian: "Composition," 1921, from Mondrian by Seuphor -- Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read -- Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read -- Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "War," 1947, from A Concise History of Modern Painting by Read -- Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read -- Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar -- Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille -- Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille -- Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 -- Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 -- Durer: "Young Hare," 1502, from Reader's Digest, March 1967 -- Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967.

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