The significance of art in relation to the gospel /by J. Charlene Baddour.
Baddour, J. Charlene,
The significance of art in relation to the gospel /by J. Charlene Baddour. - 1968. - xii, 120, xxxvi, 4 leaves, bound : illustrations (some color) ; 28 cm.
Typescript. A Chronology of Nineteenth and Twentieth Cnetury Art Movements Twentieth Century Painters Part I Chapter I. Introduction Chapter II. The Purpose of Art Chapter III. The Philosophical Background to Modern Painting Chapter IV. Modern Painting Part II Chapter V. Christian Art Defined Chapter Virgin Islands The Christian Artist Expressing the Christian Message Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ. List of Illustrations
Statement of the Problem -- Importance of and Interest in this Study -- Source and Material -- Method of Procedure. The Modern Artist's Purpose -- The Impressionists -- The Expressionists -- The Cubists -- The Dadaists and Surrealists -- The Abstract Expressionists -- The Abstractionists -- The Biblical Position Regarding Art. Hegel -- Kierkkegaard -- Sartre. The Impressionists -- The Expressionists -- Cubism -- Expressionism -- Dada and Surrealism -- Abstract Expressionism -- Pop Art, Op Art, and Minimal Art -- Art is Dead Movement -- A Christian Analysis of Modern Painting. The Supreme Creator and Ruler of the Universe -- Criteria -- Christian Message in Two Parts -- The Problem of Unity. An Example -- Subject Matter -- Technique. Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille -- Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille -- Munch: "The Cry," from A Concise History of Modern Painting by Read -- Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read -- Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller -- Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read -- De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig -- De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig -- De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig -- Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read -- Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read -- Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar -- Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: Giraffe on Fire," 1935, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read -- Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read -- Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read -- Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar -- Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read -- Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt -- Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read -- Kandinsky: "Contact," 1924, from Kandinsky by Volboudt -- Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt -- Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt -- Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor -- Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor -- Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor -- Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor -- Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor -- Mondrian: "Composition," 1921, from Mondrian by Seuphor -- Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read -- Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read -- Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "War," 1947, from A Concise History of Modern Painting by Read -- Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read -- Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar -- Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille -- Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille -- Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 -- Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 -- Durer: "Young Hare," 1502, from Reader's Digest, March 1967 -- Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967.
Columbia Bible College--Dissertations.
Art, Modern.
Painting, Modern.
Christian art and symbolism.
BV4070 / .S546 1968
The significance of art in relation to the gospel /by J. Charlene Baddour. - 1968. - xii, 120, xxxvi, 4 leaves, bound : illustrations (some color) ; 28 cm.
Typescript. A Chronology of Nineteenth and Twentieth Cnetury Art Movements Twentieth Century Painters Part I Chapter I. Introduction Chapter II. The Purpose of Art Chapter III. The Philosophical Background to Modern Painting Chapter IV. Modern Painting Part II Chapter V. Christian Art Defined Chapter Virgin Islands The Christian Artist Expressing the Christian Message Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ. List of Illustrations
Statement of the Problem -- Importance of and Interest in this Study -- Source and Material -- Method of Procedure. The Modern Artist's Purpose -- The Impressionists -- The Expressionists -- The Cubists -- The Dadaists and Surrealists -- The Abstract Expressionists -- The Abstractionists -- The Biblical Position Regarding Art. Hegel -- Kierkkegaard -- Sartre. The Impressionists -- The Expressionists -- Cubism -- Expressionism -- Dada and Surrealism -- Abstract Expressionism -- Pop Art, Op Art, and Minimal Art -- Art is Dead Movement -- A Christian Analysis of Modern Painting. The Supreme Creator and Ruler of the Universe -- Criteria -- Christian Message in Two Parts -- The Problem of Unity. An Example -- Subject Matter -- Technique. Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille -- Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille -- Munch: "The Cry," from A Concise History of Modern Painting by Read -- Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read -- Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller -- Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read -- De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig -- De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig -- De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig -- Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read -- Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read -- Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar -- Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar -- Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: Giraffe on Fire," 1935, from Modern Painting III (Expressionists to Surrealists) by Muller -- Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read -- Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read -- Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read -- Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar -- Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read -- Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar -- Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt -- Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read -- Kandinsky: "Contact," 1924, from Kandinsky by Volboudt -- Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt -- Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt -- Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor -- Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor -- Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor -- Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor -- Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor -- Mondrian: "Composition," 1921, from Mondrian by Seuphor -- Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read -- Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read -- Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar -- Pollock: "War," 1947, from A Concise History of Modern Painting by Read -- Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read -- Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar -- Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille -- Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille -- Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille -- Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 -- Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 -- Durer: "Young Hare," 1502, from Reader's Digest, March 1967 -- Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967.
Columbia Bible College--Dissertations.
Art, Modern.
Painting, Modern.
Christian art and symbolism.
BV4070 / .S546 1968