The significance of art in relation to the gospel /by J. Charlene Baddour. (Record no. 52406)

MARC details
000 -LEADER
fixed length control field 07146nam a2200565Ii 4500
001 - CONTROL NUMBER
control field ocm09159042
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240726104011.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 830124s1968 xx a b 00010 eng d
039 02 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE]
Level of rules in bibliographic description CI ocm09159042
040 ## - CATALOGING SOURCE
Original cataloging agency SBITD
Language of cataloging eng
Description conventions rda
049 02 - LOCAL HOLDINGS (OCLC)
Holding library SBITD
050 04 - LIBRARY OF CONGRESS CALL NUMBER
Classification number BV4070
Item number .S546 1968
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Baddour, J. Charlene,
Relator term Author
245 10 - TITLE STATEMENT
Title The significance of art in relation to the gospel /by J. Charlene Baddour.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 1968.
300 ## - PHYSICAL DESCRIPTION
Extent xii, 120, xxxvi, 4 leaves, bound :
Other physical details illustrations (some color) ;
Dimensions 28 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
500 ## - GENERAL NOTE
General note Typescript.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note
500 ## - GENERAL NOTE
General note A Chronology of Nineteenth and Twentieth Cnetury Art Movements
500 ## - GENERAL NOTE
General note Twentieth Century Painters
500 ## - GENERAL NOTE
General note Part I
500 ## - GENERAL NOTE
General note Chapter I. Introduction
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Statement of the Problem --
Title Importance of and Interest in this Study --
-- Source and Material --
-- Method of Procedure.
500 ## - GENERAL NOTE
General note Chapter II. The Purpose of Art
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note The Modern Artist's Purpose --
Title The Impressionists --
-- The Expressionists --
-- The Cubists --
-- The Dadaists and Surrealists --
-- The Abstract Expressionists --
-- The Abstractionists --
-- The Biblical Position Regarding Art.
500 ## - GENERAL NOTE
General note Chapter III. The Philosophical Background to Modern Painting
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Hegel --
Title Kierkkegaard --
-- Sartre.
500 ## - GENERAL NOTE
General note Chapter IV. Modern Painting
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note The Impressionists --
Title The Expressionists --
-- Cubism --
-- Expressionism --
-- Dada and Surrealism --
-- Abstract Expressionism --
-- Pop Art, Op Art, and Minimal Art --
-- Art is Dead Movement --
-- A Christian Analysis of Modern Painting.
500 ## - GENERAL NOTE
General note Part II
500 ## - GENERAL NOTE
General note Chapter V. Christian Art Defined
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note The Supreme Creator and Ruler of the Universe --
Title Criteria --
-- Christian Message in Two Parts --
-- The Problem of Unity.
500 ## - GENERAL NOTE
General note Chapter Virgin Islands The Christian Artist Expressing the Christian Message
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note An Example --
Title Subject Matter --
-- Technique.
500 ## - GENERAL NOTE
General note Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ.
500 ## - GENERAL NOTE
General note List of Illustrations
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read --
Title Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille --
-- Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille --
-- Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille --
-- Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille --
-- Munch: "The Cry," from A Concise History of Modern Painting by Read --
-- Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read --
-- Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller --
-- Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read --
-- De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig --
-- De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig --
-- De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig --
-- Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read --
-- Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read --
-- Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar --
-- Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar --
-- Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar --
-- Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller --
-- Dali: Giraffe on Fire," 1935, from Modern Painting III (Expressionists to Surrealists) by Muller --
-- Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read --
-- Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read --
-- Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read --
-- Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar --
-- Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar --
-- Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read --
-- Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar --
-- Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt --
-- Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read --
-- Kandinsky: "Contact," 1924, from Kandinsky by Volboudt --
-- Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt --
-- Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt --
-- Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor --
-- Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor --
-- Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor --
-- Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor --
-- Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor --
-- Mondrian: "Composition," 1921, from Mondrian by Seuphor --
-- Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read --
-- Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read --
-- Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar --
-- Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar --
-- Pollock: "War," 1947, from A Concise History of Modern Painting by Read --
-- Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read --
-- Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar --
-- Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille --
-- Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille --
-- Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille --
-- Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille --
-- Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 --
-- Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 --
-- Durer: "Young Hare," 1502, from Reader's Digest, March 1967 --
-- Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967.
530 ## - COPYRIGHT INFORMATION:
COPYRIGHT INFORMATION COPYRIGHT NOT covered - Click this link to request copyright permission:
610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Columbia Bible College
General subdivision Dissertations.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Modern.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting, Modern.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Christian art and symbolism.
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b10493414
b 06-16-17
c 01-22-08
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Dissertation/Thesis (7-day checkout)
Classification part BV
PUBLICATION YEAR 1968
VENDOR
Delivery Date: ACADEMIC YEAR - ie 2022-2023 2020-10-22
COST 0.00
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- citd
Operator's initials, OID (RLIN) 05-26-09
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- -
-- eng
-- xx
-- 0
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
g 1
i 31923000557393
j 2
l citd
o -
p 0.00
q -
r -
s - --
t 61
u 0
v 0
w 0
x 0
y .i10754167
z 01-22-08
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN)
a 1
b Cynthia Snell
c 1
d Cynthia Snell
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type Source of classification or shelving scheme
        G. Allen Fleece Library G. Allen Fleece Library DISSERTATIONS 10/22/2020 0.00   BV4070.C68B25 1968 31923000557393 11/09/2022 07/16/2018 Dissertation/Thesis (7-day checkout)  
        G. Allen Fleece Library G. Allen Fleece Library DISSERTATIONS 05/07/2024     BV4070.C68B25 1968 31923001908041 05/07/2024 05/07/2024 Dissertation/Thesis (7-day checkout) Dewey Decimal Classification