MARC details
000 -LEADER |
fixed length control field |
07146nam a2200565Ii 4500 |
001 - CONTROL NUMBER |
control field |
ocm09159042 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726104011.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
830124s1968 xx a b 00010 eng d |
039 02 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE] |
Level of rules in bibliographic description |
CI ocm09159042 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
SBITD |
Language of cataloging |
eng |
Description conventions |
rda |
049 02 - LOCAL HOLDINGS (OCLC) |
Holding library |
SBITD |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
BV4070 |
Item number |
.S546 1968 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Baddour, J. Charlene, |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
The significance of art in relation to the gospel /by J. Charlene Baddour. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Date of publication, distribution, etc. |
1968. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 120, xxxvi, 4 leaves, bound : |
Other physical details |
illustrations (some color) ; |
Dimensions |
28 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Typescript. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
|
500 ## - GENERAL NOTE |
General note |
A Chronology of Nineteenth and Twentieth Cnetury Art Movements |
500 ## - GENERAL NOTE |
General note |
Twentieth Century Painters |
500 ## - GENERAL NOTE |
General note |
Part I |
500 ## - GENERAL NOTE |
General note |
Chapter I. Introduction |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Statement of the Problem -- |
Title |
Importance of and Interest in this Study -- |
-- |
Source and Material -- |
-- |
Method of Procedure. |
500 ## - GENERAL NOTE |
General note |
Chapter II. The Purpose of Art |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
The Modern Artist's Purpose -- |
Title |
The Impressionists -- |
-- |
The Expressionists -- |
-- |
The Cubists -- |
-- |
The Dadaists and Surrealists -- |
-- |
The Abstract Expressionists -- |
-- |
The Abstractionists -- |
-- |
The Biblical Position Regarding Art. |
500 ## - GENERAL NOTE |
General note |
Chapter III. The Philosophical Background to Modern Painting |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Hegel -- |
Title |
Kierkkegaard -- |
-- |
Sartre. |
500 ## - GENERAL NOTE |
General note |
Chapter IV. Modern Painting |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
The Impressionists -- |
Title |
The Expressionists -- |
-- |
Cubism -- |
-- |
Expressionism -- |
-- |
Dada and Surrealism -- |
-- |
Abstract Expressionism -- |
-- |
Pop Art, Op Art, and Minimal Art -- |
-- |
Art is Dead Movement -- |
-- |
A Christian Analysis of Modern Painting. |
500 ## - GENERAL NOTE |
General note |
Part II |
500 ## - GENERAL NOTE |
General note |
Chapter V. Christian Art Defined |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
The Supreme Creator and Ruler of the Universe -- |
Title |
Criteria -- |
-- |
Christian Message in Two Parts -- |
-- |
The Problem of Unity. |
500 ## - GENERAL NOTE |
General note |
Chapter Virgin Islands The Christian Artist Expressing the Christian Message |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
An Example -- |
Title |
Subject Matter -- |
-- |
Technique. |
500 ## - GENERAL NOTE |
General note |
Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ. |
500 ## - GENERAL NOTE |
General note |
List of Illustrations |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read -- |
Title |
Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- |
-- |
Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille -- |
-- |
Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille -- |
-- |
Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille -- |
-- |
Munch: "The Cry," from A Concise History of Modern Painting by Read -- |
-- |
Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read -- |
-- |
Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller -- |
-- |
Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read -- |
-- |
De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig -- |
-- |
De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig -- |
-- |
De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig -- |
-- |
Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read -- |
-- |
Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read -- |
-- |
Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar -- |
-- |
Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar -- |
-- |
Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar -- |
-- |
Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller -- |
-- |
Dali: Giraffe on Fire," 1935, from Modern Painting III (Expressionists to Surrealists) by Muller -- |
-- |
Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read -- |
-- |
Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read -- |
-- |
Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read -- |
-- |
Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read -- |
-- |
Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt -- |
-- |
Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read -- |
-- |
Kandinsky: "Contact," 1924, from Kandinsky by Volboudt -- |
-- |
Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt -- |
-- |
Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt -- |
-- |
Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor -- |
-- |
Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor -- |
-- |
Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor -- |
-- |
Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor -- |
-- |
Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor -- |
-- |
Mondrian: "Composition," 1921, from Mondrian by Seuphor -- |
-- |
Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read -- |
-- |
Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read -- |
-- |
Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Pollock: "War," 1947, from A Concise History of Modern Painting by Read -- |
-- |
Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read -- |
-- |
Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar -- |
-- |
Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille -- |
-- |
Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille -- |
-- |
Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille -- |
-- |
Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille -- |
-- |
Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 -- |
-- |
Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 -- |
-- |
Durer: "Young Hare," 1502, from Reader's Digest, March 1967 -- |
-- |
Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Columbia Bible College |
General subdivision |
Dissertations. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, Modern. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Painting, Modern. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Christian art and symbolism. |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b10493414 |
b |
06-16-17 |
c |
01-22-08 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Dissertation/Thesis (7-day checkout) |
Classification part |
BV |
PUBLICATION YEAR |
1968 |
VENDOR |
|
Delivery Date: ACADEMIC YEAR - ie 2022-2023 |
2020-10-22 |
COST |
0.00 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
citd |
Operator's initials, OID (RLIN) |
05-26-09 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
- |
-- |
eng |
-- |
xx |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
g |
1 |
i |
31923000557393 |
j |
2 |
l |
citd |
o |
- |
p |
0.00 |
q |
- |
r |
- |
s |
- -- |
t |
61 |
u |
0 |
v |
0 |
w |
0 |
x |
0 |
y |
.i10754167 |
z |
01-22-08 |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |