The image in early cinema : form and material / edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe.

Contributor(s):

Material type: Text

TextLanguage: English, French Original language: French Series: Publication details: Bloomington, Indiana : Indiana University Press, (c)2018.Description: 1 online resource (vii, 332 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780253034427
9780253034403

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1995 .I434 2018

Online resources:

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Contents:

Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère

Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof

Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari

Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk

Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1995.25 (Browse shelf(Opens below))	Link to resource	Available		on1022085629

Includes bibliographies and index.

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Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère

6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle « culture visuelle de l'information »? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof

11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari

16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk

22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations

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