The image in early cinema : form and material /
The image in early cinema : form and material /
edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe.
- Bloomington, Indiana : Indiana University Press, (c)2018.
- 1 online resource (vii, 332 pages).
- Early Cinema in Review Ser. .
Includes bibliographies and index.
Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle « culture visuelle de l'information »? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations
9780253034427 9780253034403
2018005348
Motion pictures--Philosophy.
Motion pictures and the arts.
Cinematography.
Electronic Books.
PN1995 / .I434 2018
Includes bibliographies and index.
Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle « culture visuelle de l'information »? / Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations
9780253034427 9780253034403
2018005348
Motion pictures--Philosophy.
Motion pictures and the arts.
Cinematography.
Electronic Books.
PN1995 / .I434 2018