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Fictions of authority : women writers and narrative voice / Susan Sniader Lanser. [electronic resource]

By: Material type: TextTextPublication details: Ithaca ; London : Cornell University Press, (c)1992.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501723094
  • 150172309X
  • 9781501723087
  • 1501723081
Subject(s): Genre/Form: LOC classification:
  • PR830.6
Online resources:
Available additional physical forms:
Contents:
Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Bront�e, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"--Including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig--she finds innovative strategies that challenge the conventions of Western narrative
Item type: Online Book
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online Non-fiction PR830.6 (Browse shelf(Opens below)) Link to resource Available ocn645818193

Includes bibliographies and index.

Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres.

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Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Bront�e, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"--Including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig--she finds innovative strategies that challenge the conventions of Western narrative

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Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

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