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Film copyright in the European Union / Pascal Kamina.

By: Material type: TextTextSeries: Cambridge studies in intellectual property rightsPublication details: Cambridge, UK ; New York : Cambridge University Press, [(c)2002.]Description: 1 online resource (xxvii, 431 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 051104075X
  • 9780511040757
  • 0511049358
  • 9780511049354
  • 051117683X
  • 9780511176838
  • 9780511495250
  • 0511495250
Subject(s): Genre/Form: LOC classification:
  • KJE2690
Online resources:
Available additional physical forms:
Contents:
Cover; Half-title; Series-title; Title; Copyright; Contents; Foreword; Preface; Acknowledgments; Abbreviations; 1 Introduction; 2 The history of film protection in Europe; 3 Subsistence of copyright; 4 Authorship and initial ownership; 5 Copyright transfers and authorial rights; 6 Exclusive rights; 7 Exemptions and permitted acts; 8 Moral rights in films; 9 Performers' rights; 10 Protection of foreign film works; Appendix 1: A basic guide to the European Union; Appendix 2: Principal national copyright legislation; Appendix 3: EC copyright directives.
Summary: In the first book on this subject, Kamina analyses film protection in the fifteen member states of the EU, with emphasis on Britain and France. He addresses key aspects of film copyright, including the protection of film works within the EU in the context of European harmonization of copyright laws.
Item type: Online Book
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online Non-fiction KJE2690 (Browse shelf(Opens below)) Link to resource Available ocm56215762\

Includes bibliographies and index.

Cover; Half-title; Series-title; Title; Copyright; Contents; Foreword; Preface; Acknowledgments; Abbreviations; 1 Introduction; 2 The history of film protection in Europe; 3 Subsistence of copyright; 4 Authorship and initial ownership; 5 Copyright transfers and authorial rights; 6 Exclusive rights; 7 Exemptions and permitted acts; 8 Moral rights in films; 9 Performers' rights; 10 Protection of foreign film works; Appendix 1: A basic guide to the European Union; Appendix 2: Principal national copyright legislation; Appendix 3: EC copyright directives.

In the first book on this subject, Kamina analyses film protection in the fifteen member states of the EU, with emphasis on Britain and France. He addresses key aspects of film copyright, including the protection of film works within the EU in the context of European harmonization of copyright laws.

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