Slapstick modernism : Chaplin to Kerouac to Iggy Pop / William Solomon.
Material type: TextPublication details: Urbana : University of Illinois Press, [(c)2016.]Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780252098468
- 0252098463
- PS310.57
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book | G. Allen Fleece Library Online | Non-fiction | PS310.57 (Browse shelf(Opens below)) | Link to resource | Available | ocn940342293 |
Includes bibliographies and index.
Introduction: the origins of slapstick modernism -- 1920s. The work of art in the age of mechanical transportation -- The politics and poetics of attraction I: Dos Passos -- The politics and poetics of attraction II: Harold Lloyd's "thrill" films -- Becoming-child: Harry Langdon -- 1930s. The emergence of slapstick modernism -- Theoretical interlude: Benjamin and the question concerning second technology -- 1950s-1960s. The rise of slapstick modernism; or, the birth of the uncool.
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