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The Virgin Mary and Catholic identities in Chinese history Jeremy Clarke, SJ.

By: Material type: TextTextPublication details: Hong Kong : Hong Kong University Press, HKU, [(c)2013.]Description: 1 online resource (315 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789888180998
  • 9888180991
Subject(s): Genre/Form: LOC classification:
  • DS666.5
Online resources:
Available additional physical forms:
Contents:
Illustrations; Acknowledgements; Introduction: Chinese Catholic identities in the modern period; Part 1: Images of Mary in China before 1842; 1. Chinese Christian art during the pre-modern period; Part 2: The Chinese Catholic Church since 1842; 2. After the treaties; 3. Our Lady of Donglu; 4. The rise and fall of the French protectorate; Part 3: Images of Mary in the early twentieth century; 5. The Furen art department; 6. The Chinese dimension to the Furen Christian art; Conclusion; Notes; Bibliography; Index; Plates
Summary: How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol.
Item type: Online Book
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online Non-fiction DS666.5 (Browse shelf(Opens below)) Link to resource Available ocn858763564

Description based upon print version of record.

Includes bibliographies and index.

Illustrations; Acknowledgements; Introduction: Chinese Catholic identities in the modern period; Part 1: Images of Mary in China before 1842; 1. Chinese Christian art during the pre-modern period; Part 2: The Chinese Catholic Church since 1842; 2. After the treaties; 3. Our Lady of Donglu; 4. The rise and fall of the French protectorate; Part 3: Images of Mary in the early twentieth century; 5. The Furen art department; 6. The Chinese dimension to the Furen Christian art; Conclusion; Notes; Bibliography; Index; Plates

How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol.

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