The Cambridge history of Western music theory / edited by Thomas Christensen. [print]

Mapping the terrain Leslie Blasius -- Musica practica : music theory as pedagogy Robert W. Wason -- Epistemologies of music theory Nicholas Cook -- Greek music theory Thomas J. Mathiesen -- The transmission of ancient music theory into the Middle Ages Calvin M. Bower -- Medieval canonics Jan Herlinger -- Tuning and temperament Rudolf Rasch -- The role of harmonics in the scientific revolution Penelope Gouk -- From acoustics to Tonpsychologie Burdette Green, David Butler -- Music theory and mathematics Catherine Nolan -- Notes, scales and modes in the earlier Middle Ages David E. Cohen -- Renaissance modal theory : theoretical, compositional and editorial perspectives Cristle Collins Judd -- Tonal organization in seventeenth-century music theory Gregory Barnett -- Dualist tonal space and transformation in nineteenth-century musical thought Henry Klumpenhouwer -- Organum, discantus, contrapunctus in the Middle Ages Sarah Fuller -- Counterpoint pedagogy in the Renaissance Peter Schubert -- Performance theory Albert Cohen -- Steps to Parnassus : contrapuntal theory in 1725 precursors and successors Ian Bent -- Twelve-tone theory John Covach -- The evolution of rhythmic notation Anna Maria Busse Berger -- Theories of musical rhythm in the eighteenth and nineteenth centuries William E. Caplin -- Rhythm in twentieth-century theory Justin London -- Tonality Brian Hyer -- Rameau and eighteenth-century harmonic theory Joel Lester -- Nineteenth-century harmonic theory : the Austro-German legacy David W. Bernstein -- Heinrich Schenker William Drabkin -- Music and rhetoric Patrick McCreless -- Form Scott Burnham -- Thematic and motivic analysis Jonathan Dunsby -- Energetics Lee Rothfarb -- The psychology of music Robert Gjerdingen.

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