The Cambridge history of Western music theory /
The Cambridge history of Western music theory / [print]
edited by Thomas Christensen.
- Cambridge ; New York : Cambridge University Press, (c)2002.
- xxiii, 998 pages : illustrations ; 24 cm.
- The Cambridge history of music .
Mapping the terrain Musica practica : music theory as pedagogy Epistemologies of music theory Greek music theory The transmission of ancient music theory into the Middle Ages Medieval canonics Tuning and temperament The role of harmonics in the scientific revolution From acoustics to Tonpsychologie Music theory and mathematics Notes, scales and modes in the earlier Middle Ages Renaissance modal theory : theoretical, compositional and editorial perspectives Tonal organization in seventeenth-century music theory Dualist tonal space and transformation in nineteenth-century musical thought Organum, discantus, contrapunctus in the Middle Ages Counterpoint pedagogy in the Renaissance Performance theory Steps to Parnassus : contrapuntal theory in 1725 precursors and successors Twelve-tone theory The evolution of rhythmic notation Theories of musical rhythm in the eighteenth and nineteenth centuries Rhythm in twentieth-century theory Tonality Rameau and eighteenth-century harmonic theory Nineteenth-century harmonic theory : the Austro-German legacy Heinrich Schenker Music and rhetoric Form Thematic and motivic analysis Energetics The psychology of music Leslie Blasius -- Robert W. Wason -- Nicholas Cook -- Thomas J. Mathiesen -- Calvin M. Bower -- Jan Herlinger -- Rudolf Rasch -- Penelope Gouk -- Burdette Green, David Butler -- Catherine Nolan -- David E. Cohen -- Cristle Collins Judd -- Gregory Barnett -- Henry Klumpenhouwer -- Sarah Fuller -- Peter Schubert -- Albert Cohen -- Ian Bent -- John Covach -- Anna Maria Busse Berger -- William E. Caplin -- Justin London -- Brian Hyer -- Joel Lester -- David W. Bernstein -- William Drabkin -- Patrick McCreless -- Scott Burnham -- Jonathan Dunsby -- Lee Rothfarb -- Robert Gjerdingen.
9780521623711 9780521686983
00050366
GBA2-30835
Music theory--Theory--History.
ML3800.C554.C363 2002 ML3800
Mapping the terrain Musica practica : music theory as pedagogy Epistemologies of music theory Greek music theory The transmission of ancient music theory into the Middle Ages Medieval canonics Tuning and temperament The role of harmonics in the scientific revolution From acoustics to Tonpsychologie Music theory and mathematics Notes, scales and modes in the earlier Middle Ages Renaissance modal theory : theoretical, compositional and editorial perspectives Tonal organization in seventeenth-century music theory Dualist tonal space and transformation in nineteenth-century musical thought Organum, discantus, contrapunctus in the Middle Ages Counterpoint pedagogy in the Renaissance Performance theory Steps to Parnassus : contrapuntal theory in 1725 precursors and successors Twelve-tone theory The evolution of rhythmic notation Theories of musical rhythm in the eighteenth and nineteenth centuries Rhythm in twentieth-century theory Tonality Rameau and eighteenth-century harmonic theory Nineteenth-century harmonic theory : the Austro-German legacy Heinrich Schenker Music and rhetoric Form Thematic and motivic analysis Energetics The psychology of music Leslie Blasius -- Robert W. Wason -- Nicholas Cook -- Thomas J. Mathiesen -- Calvin M. Bower -- Jan Herlinger -- Rudolf Rasch -- Penelope Gouk -- Burdette Green, David Butler -- Catherine Nolan -- David E. Cohen -- Cristle Collins Judd -- Gregory Barnett -- Henry Klumpenhouwer -- Sarah Fuller -- Peter Schubert -- Albert Cohen -- Ian Bent -- John Covach -- Anna Maria Busse Berger -- William E. Caplin -- Justin London -- Brian Hyer -- Joel Lester -- David W. Bernstein -- William Drabkin -- Patrick McCreless -- Scott Burnham -- Jonathan Dunsby -- Lee Rothfarb -- Robert Gjerdingen.
9780521623711 9780521686983
00050366
GBA2-30835
Music theory--Theory--History.
ML3800.C554.C363 2002 ML3800