From Madrigal to Opera Monteverdi's Staging of the Self.
Material type: TextPublication details: Berkeley : University of California Press, [(c)2012.]Description: 1 online resource (343 pages)Content type:- text
- computer
- online resource
- 9780520951525
- 0520951522
- ML410.77 .33 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book | G. Allen Fleece Library Online | Non-fiction | ML410.77 .33 2012 (Browse shelf(Opens below)) | Link to resource | Available | ocn782879943 |
Includes bibliographies and index.
Cover; Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE. LA MUSICA AND ORFEO; 1. Text, Context, Performance; Performing Nobility; Authorizing Performance; The Work of Opera; 2. Liminality, Deixis, Subjectivity; Prologues as Paratexts; "I am Music"; The Prologue of Orfeo as Performance; Dialogic Subjectivity; Subject-Effects; 3. Performing the Dialogic Self; Music's Touch; Echoes; PART TWO. CONSTRUCTING THE NARRATOR; 4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address; Voi ch'ascoltate; Appropriating the Self; Lyric Modes; Equivocality.
5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century MadrigalTheatricality and Temporal Perspective; Diffracting the Self; Who is Speaking? From Soggetto to Dialogo; The Madrigal Book as Canzoniere; PART THREE. STAGING THE SELF; 6. Monteverdi, Narrator; From Narration to Focalization; Combattimento between Page and Stage; 7. The Possibility of Opera; The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti; Focalization in Poppea; Epilogue: Subjectivity, Theatricality, Multimediality; Appendix 1: Tables of Contents of the Madrigal Books.
Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and TranslationNotes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultu.
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