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Legitimizing the artist : manifesto writing and European modernism, 1885-1915 / Luca Somigli.

By: Material type: TextTextSeries: Toronto Italian studiesPublication details: Toronto, Ontario : University of Toronto Press, [(c)2003.]; Ottawa, Ontario : Canadian Electronic Library, [(c)2015.]Description: 1 online resource (viii, 296 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442621060
  • 1442621060
Subject(s): Genre/Form: LOC classification:
  • N6758.5.63
Online resources:
Available additional physical forms:
Contents:
Introduction: The Artist in Modernity -- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.
Summary: In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.
Item type: Online Book
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online Non-fiction N6758.5.63 (Browse shelf(Opens below)) Link to resource Available ocn903968282

Includes bibliographies and index.

Introduction: The Artist in Modernity -- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.

In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.

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