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American music documentary : five case studies of ciné-ethnomusicology / Benjamin J. Harbert.

By: Material type: TextTextSeries: Publication details: Middletown, Connecticut : Wesleyan University Press, (c)2018.Description: 1 online resource (xiv, 300 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780819578020
Subject(s): Genre/Form: LOC classification:
  • PN1995 .A447 2018
Online resources: Available additional physical forms:
Contents:
Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.
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Introduction -- Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.

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