American music documentary : five case studies of ciné-ethnomusicology / Benjamin J. Harbert.
Material type: TextSeries: Publication details: Middletown, Connecticut : Wesleyan University Press, (c)2018.Description: 1 online resource (xiv, 300 pages)Content type:- text
- computer
- online resource
- 9780819578020
- PN1995 .A447 2018
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN1995.9.6 (Browse shelf(Opens below)) | Link to resource | Available | on1003268015 |
Introduction -- Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.
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