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American music documentary : five case studies of ciné-ethnomusicology / Benjamin J. Harbert.

By: Material type: TextTextSeries: Publication details: Middletown, Connecticut : Wesleyan University Press, (c)2018.Description: 1 online resource (xiv, 300 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780819578020
Subject(s): Genre/Form: LOC classification:
  • PN1995 .A447 2018
Online resources: Available additional physical forms:
Contents:
Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.9.6 (Browse shelf(Opens below)) Link to resource Available on1003268015

Introduction -- Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.

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