Cinematic cuts : theorizing film endings / edited by Sheila Kunkle.

Contributor(s):

Kunkle, Sheila []

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781438461380

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1995 .C564 2016

Online resources:

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Available additional physical forms:

Contents:

Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1995 (Browse shelf(Opens below))	Link to resource	Available		ocn949669346

Includes bibliographies and index.

Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski.

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