Cinematic cuts : theorizing film endings /
Cinematic cuts : theorizing film endings /
edited by Sheila Kunkle.
- Albany : State University of New York Press, (c)2016.
- 1 online resource.
- SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature .
Includes bibliographies and index.
Introduction: on the subject of endings / Resolution, truncation, glitch / The banality of trauma: Claire Denis's Bastards and the anti-ending / The greatest trick the devil ever played: desire, drive, and the twist ending / Retroactive rupture: the place of the subject in Jane Campion's In the cut / Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Cinematic ends: the ties that unbind in Claire Denis's White material / When one becomes two: the ending of Catfish / The satisfaction of an ending / The too realistic cut: gaze as overconformity in Blue velvet / The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / The end of (self) analysis: the end of Kurosawa's High and low / The final failure in The dark knight rises / The ["end"] / Sheila Kunkle -- Hugh S. Manon -- Hilary Neroni -- Ryan Engley -- Fabio Vighi -- Juan Pablo Lucchelli -- Jennifer Friedlander -- Rex Butler -- Todd McGowan -- Henry Krips -- Sheila Kunkle -- David Denny -- A. Kiarina Kordela -- Brian Wall -- Slavoj Žižek -- Jan Agodzinski.
9781438461380
Motion pictures--Philosophy.
Motion pictures--Editing.
Motion pictures--Psychological aspects.
Electronic Books.
PN1995 / .C564 2016
Includes bibliographies and index.
Introduction: on the subject of endings / Resolution, truncation, glitch / The banality of trauma: Claire Denis's Bastards and the anti-ending / The greatest trick the devil ever played: desire, drive, and the twist ending / Retroactive rupture: the place of the subject in Jane Campion's In the cut / Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Cinematic ends: the ties that unbind in Claire Denis's White material / When one becomes two: the ending of Catfish / The satisfaction of an ending / The too realistic cut: gaze as overconformity in Blue velvet / The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / The end of (self) analysis: the end of Kurosawa's High and low / The final failure in The dark knight rises / The ["end"] / Sheila Kunkle -- Hugh S. Manon -- Hilary Neroni -- Ryan Engley -- Fabio Vighi -- Juan Pablo Lucchelli -- Jennifer Friedlander -- Rex Butler -- Todd McGowan -- Henry Krips -- Sheila Kunkle -- David Denny -- A. Kiarina Kordela -- Brian Wall -- Slavoj Žižek -- Jan Agodzinski.
9781438461380
Motion pictures--Philosophy.
Motion pictures--Editing.
Motion pictures--Psychological aspects.
Electronic Books.
PN1995 / .C564 2016