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The image of the artist in archaic and classical Greece : art, poetry, and subjectivity / Guy Hedreen (Williams College, MA).

By: Material type: TextTextPublication details: New York, NY : Cambridge University Press, (c)2016.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781316458617
Subject(s): Genre/Form: LOC classification:
  • NK4645 .I434 2016
Online resources: Available additional physical forms:
Contents:
1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup.
Scope and content: "This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"--
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"This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"--

Includes bibliographical references.

Introduction: "I am Odysseus" -- 1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup.

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