The image of the artist in archaic and classical Greece : art, poetry, and subjectivity / Guy Hedreen (Williams College, MA).
Material type: TextPublication details: New York, NY : Cambridge University Press, (c)2016.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781316458617
- NK4645 .I434 2016
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | NK4645 (Browse shelf(Opens below)) | Link to resource | Available | ocn928892799 |
"This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"--
Includes bibliographical references.
Introduction: "I am Odysseus" -- 1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup.
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