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The image of the artist in archaic and classical Greece : art, poetry, and subjectivity / Guy Hedreen (Williams College, MA).

By: Material type: TextTextPublication details: New York, NY : Cambridge University Press, (c)2016.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781316458617
Subject(s): Genre/Form: LOC classification:
  • NK4645 .I434 2016
Online resources: Available additional physical forms:
Contents:
1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup.
Scope and content: "This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"--
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction NK4645 (Browse shelf(Opens below)) Link to resource Available ocn928892799

"This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"--

Includes bibliographical references.

Introduction: "I am Odysseus" -- 1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup.

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