Intimacy in cinema critical essays on English language films / edited by David Roche and Isabelle Schmitt-Pitiot.

Contributor(s):

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781476617114

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1995 .I585 2014

Online resources:

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Subject: Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser''s theor

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1995.9 .575 I58 2014 (Browse shelf(Opens below))	Link to resource	Available		ocn890071877

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Previous	PN1995.9 Screen acting : a cognitive approach /	PN1995.9 Fan phenomena : Sherlock Holmes /	PN1995.9 .55 Comedy and Cultural Critique in American Film	PN1995.9 .575 I58 2014 Intimacy in cinema critical essays on English language films /	PN1996 EL GUION Y SUS FORMATOS	PN1996 Screenwriting /edited by Andrew Horton and Julian Hoxter.	PN1996 The writers : a history of American screenwriters and their Guild /	Next

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Includes bibliographies and index.

Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser''s theor

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