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Intimacy in cinema critical essays on English language films / edited by David Roche and Isabelle Schmitt-Pitiot.

Contributor(s): Material type: TextTextPublication details: Jefferson, North Carolina : McFarland and Company, Incorporated, Publishers, (c)2014.Description: 1 online resource (433 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781476617114
Subject(s): Genre/Form: LOC classification:
  • PN1995 .I585 2014
Online resources: Available additional physical forms:Subject: Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser''s theor
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.9 .575 I58 2014 (Browse shelf(Opens below)) Link to resource Available ocn890071877

Description based upon print version of record.

Includes bibliographies and index.

Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser''s theor

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