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On film editing : an introduction to the art of film construction / Edward Dmytryk. [print]

By: Material type: TextTextPublication details: Boston ; London : Focal Press, (c)1984.Description: x, 148 pages : illustrations ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0240507385
  • 9780240507384
Subject(s): LOC classification:
  • TR899.D629.O545 1984
  • TR899.D629.O545 1984
Online resources: Available additional physical forms:
  • COPYRIGHT NOT covered - Click this link to request copyright permission:
Contents:
Titles and definitions Who cuts the film? ; Smooth cutting--the ideal The cutter begins You've got to have a reason The action cut--and what makes it work Keep it fresh and fast with the overlap Trying a little harder Cutting dialogue The reaction is what really counts If you can't make it smooth, make it right Knowing your audience Dissolves: why, how, and if Editing--simple and pure More of the same Rescuing the actor Where it all began--the montage.
Summary: Renowned director Edward Dmytryk, who began his Hollywood career as a film editor, contends that many technicians and professionals on the film crew--from the cameraman and his assistants to the producer and director--must understand film editing to produce a truly polished work. In this book he explains in layman's terms the principles of film editing, using examples and anecdotes from almost five decades in the film industry.--From publisher description.
Item type: Reference (Library Use ONLY) List(s) this item appears in: Izzy- Reference
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Item type Current library Collection Call number Status Notes Date due Barcode
Reference (Library Use ONLY) G. Allen Fleece Library Reference (1st floor - front of library) RES TR899 .D6 1984 (Browse shelf(Opens below)) Available COM 4710 31923001742820

Titles and definitions Who cuts the film? ; Smooth cutting--the ideal The cutter begins You've got to have a reason The action cut--and what makes it work Keep it fresh and fast with the overlap Trying a little harder Cutting dialogue The reaction is what really counts If you can't make it smooth, make it right Knowing your audience Dissolves: why, how, and if Editing--simple and pure More of the same Rescuing the actor Where it all began--the montage.

Renowned director Edward Dmytryk, who began his Hollywood career as a film editor, contends that many technicians and professionals on the film crew--from the cameraman and his assistants to the producer and director--must understand film editing to produce a truly polished work. In this book he explains in layman's terms the principles of film editing, using examples and anecdotes from almost five decades in the film industry.--From publisher description.

COPYRIGHT NOT covered - Click this link to request copyright permission:

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