Explorations in music, the arts, and ideas : essays in honor of Leonard B. Meyer / edited by Eugene Narmour and Ruth A. Solie.

Contributor(s): Material type: TextTextPublication details: Stuyvesant, [New York] : Pendragon Press, (c)1988.Description: xiii, 473 pages : illustrations, portrait, music ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
Subject(s): LOC classification:
  • ML55 .E975 1988
  • ML55
Available additional physical forms:
  • COPYRIGHT NOT covered - Click this link to request copyright permission:
Contents:
Introduction. -- Beethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism Ruth A. Solie -- Writing about influences: Idomeneo, a case study John Platoff -- Scylla and Charybdis, or steering between form and social context in the seventeenth century Margaret Murata -- Toward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky Rose Rosengard Subotnik. -- Masters and servants: theory in the literary academy Barbara Hernstein Smith -- Music perception, music theory, and psychology Burton S. Rosner -- What trecento music theory tells us Jan Herlinger. -- III: -- Concrete musical knowledge and a computer program for species counterpoint Robert O. Gjerdingen -- Melody and the Markoff-Chain model: a gregorian hymn repertory Frank Tirro -- Pitch class and perceived height: some paradoxes and their implications Diana Deutsch -- Affective design in Schubert's Moment musical opus 94 numbers 6 john Chesnut -- On the relationship of analytical theory to performance and interpretation Eugene Narmour. -- Aspects of musical space Patricia Carpenter -- Tonality in a new key James C. Kidd -- When a coda is more than a coda: reflections on Beethoven Robert G. Hopkins -- Compatibility, coherence, and closure in Brahm's Liebeslieder Waltzes David Brodbeck. -- About Leonard B. Meyer: a biographical vignette Janet M. Levy -- Writings by Leonard B. Meyer.
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-- Introduction. -- Beethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism Ruth A. Solie -- Writing about influences: Idomeneo, a case study John Platoff -- Scylla and Charybdis, or steering between form and social context in the seventeenth century Margaret Murata -- Toward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky Rose Rosengard Subotnik. -- Masters and servants: theory in the literary academy Barbara Hernstein Smith -- Music perception, music theory, and psychology Burton S. Rosner -- What trecento music theory tells us Jan Herlinger. -- III: -- Concrete musical knowledge and a computer program for species counterpoint Robert O. Gjerdingen -- Melody and the Markoff-Chain model: a gregorian hymn repertory Frank Tirro -- Pitch class and perceived height: some paradoxes and their implications Diana Deutsch -- Affective design in Schubert's Moment musical opus 94 numbers 6 john Chesnut -- On the relationship of analytical theory to performance and interpretation Eugene Narmour. -- Aspects of musical space Patricia Carpenter -- Tonality in a new key James C. Kidd -- When a coda is more than a coda: reflections on Beethoven Robert G. Hopkins -- Compatibility, coherence, and closure in Brahm's Liebeslieder Waltzes David Brodbeck. -- About Leonard B. Meyer: a biographical vignette Janet M. Levy -- Writings by Leonard B. Meyer.

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