Explorations in music, the arts, and ideas : essays in honor of Leonard B. Meyer /
Explorations in music, the arts, and ideas : essays in honor of Leonard B. Meyer /
edited by Eugene Narmour and Ruth A. Solie.
- Stuyvesant, [New York] : Pendragon Press, (c)1988.
- xiii, 473 pages : illustrations, portrait, music ; 24 cm.
Introduction. -- Beethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism Writing about influences: Idomeneo, a case study Scylla and Charybdis, or steering between form and social context in the seventeenth century Toward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky Masters and servants: theory in the literary academy Music perception, music theory, and psychology What trecento music theory tells us III: -- Concrete musical knowledge and a computer program for species counterpoint Melody and the Markoff-Chain model: a gregorian hymn repertory Pitch class and perceived height: some paradoxes and their implications Affective design in Schubert's Moment musical opus 94 numbers 6 On the relationship of analytical theory to performance and interpretation Aspects of musical space Tonality in a new key When a coda is more than a coda: reflections on Beethoven Compatibility, coherence, and closure in Brahm's Liebeslieder Waltzes About Leonard B. Meyer: a biographical vignette Writings by Leonard B. Meyer. Ruth A. Solie -- John Platoff -- Margaret Murata -- Rose Rosengard Subotnik. -- Barbara Hernstein Smith -- Burton S. Rosner -- Jan Herlinger. -- Robert O. Gjerdingen -- Frank Tirro -- Diana Deutsch -- john Chesnut -- Eugene Narmour. -- Patricia Carpenter -- James C. Kidd -- Robert G. Hopkins -- David Brodbeck. -- Janet M. Levy --
87032858 /MN
Meyer, Leonard B.
Music--History and criticism.
Music theory.
Arts.
ML55 / .E975 1988 ML55
Introduction. -- Beethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism Writing about influences: Idomeneo, a case study Scylla and Charybdis, or steering between form and social context in the seventeenth century Toward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky Masters and servants: theory in the literary academy Music perception, music theory, and psychology What trecento music theory tells us III: -- Concrete musical knowledge and a computer program for species counterpoint Melody and the Markoff-Chain model: a gregorian hymn repertory Pitch class and perceived height: some paradoxes and their implications Affective design in Schubert's Moment musical opus 94 numbers 6 On the relationship of analytical theory to performance and interpretation Aspects of musical space Tonality in a new key When a coda is more than a coda: reflections on Beethoven Compatibility, coherence, and closure in Brahm's Liebeslieder Waltzes About Leonard B. Meyer: a biographical vignette Writings by Leonard B. Meyer. Ruth A. Solie -- John Platoff -- Margaret Murata -- Rose Rosengard Subotnik. -- Barbara Hernstein Smith -- Burton S. Rosner -- Jan Herlinger. -- Robert O. Gjerdingen -- Frank Tirro -- Diana Deutsch -- john Chesnut -- Eugene Narmour. -- Patricia Carpenter -- James C. Kidd -- Robert G. Hopkins -- David Brodbeck. -- Janet M. Levy --
87032858 /MN
Meyer, Leonard B.
Music--History and criticism.
Music theory.
Arts.
ML55 / .E975 1988 ML55