Style and music : theory, history, and ideology / Leonard B. Meyer. [print]
Material type:
TextSeries: Studies in the criticism and theory of musicPublication details: Chicago : University of Chicago Press, (c)1996.Edition: University of Chicago Press edDescription: xi, 376 pages : illustrations ; 23 cmContent type: - text
- unmediated
- volume
- 0226521524
- ML430.5.S795 1996
- COPYRIGHT NOT covered - Click this link to request copyright permission:
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Withdrawn | G. Allen Fleece Library Withdrawn | Non-fiction | ML430.5.M5 1996 (Browse shelf(Opens below)) | WITHDRAWN Not for loan | 31923000966289 |
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| ML430.5.D3 1963b The interpretation of music / | ML430.5.D66 1981 The history of music in performance : the art of musical interpretation from the Renaissance to our day / | ML430.5.M5 1989 Style and music : theory, history, and ideology / | ML430.5.M5 1996 Style and music : theory, history, and ideology / | ML431.P37 1978 The notation of medieval music / | ML431.R27 1982 The Notation of Western music : an introduction / | ML442.A7 1965 The art of accompaniment from a thorough-bass, as practised in the XVIIth & XVIIIth centuries, |
Originally published: Philadelphia : University of Pennsylvania Press, 1989. (Studies in the criticism and theory of music).
Part I: Theory. 1. Toward a theory of style ; 2. Style analysis Part II: History, innovation, and choice. 3. Thoughts about history ; 4. Innovation--reasons and sources ; 5. Choice and replication Part III: Music and ideology: a sketch-history of nineteenth-century music. 6. Romanticism--The ideology of elite egalitarians ; 7. Convention disguised--nature affirmed ; 8. Syntax, form, and unity Epilogue: The persistence of romanticism.
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