Parodies of Ownership Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur. [print]
Material type: TextSeries: Book collections on Project MUSEPublication details: Ann Arbor : University of Michigan Library, [(c)2009.; Baltimore, Maryland : Project MUSE, 2011.Description: 1 online resource (xiv, 236 pages)Content type:- text
- computer
- online resource
- 0472024493
- 9780472024490
- KF4757 .S387 2009
- KF4757.S394.P376 2009
Item type | Current library | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Online Book | G. Allen Fleece Library Online | KF (Browse shelf(Opens below)) | Link to resource | Available | |||
Online Book | G. Allen Fleece Library Online | KF (Browse shelf(Opens below)) | Link to resource | Available |
From chattel to intellectual property : legal foundations of African American cultural critique-- Critical race theory, signifyin', and cultural ownership-- Defining hip-hop aesthetics-- Claiming ownership in the post--civil rights era ; -- "Fair use" and the circulation of racialized texts ; -- "Transformative uses" : parody and memory-- From invisibility to erasure? The consequences of hip-hop aesthetics.
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