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Parodies of Ownership Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur. [print]

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublication details: Ann Arbor : University of Michigan Library, [(c)2009.; Baltimore, Maryland : Project MUSE, 2011.Description: 1 online resource (xiv, 236 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0472024493
  • 9780472024490
Subject(s): LOC classification:
  • KF4757 .S387 2009
  • KF4757.S394.P376 2009
Online resources:
Contents:
From chattel to intellectual property : legal foundations of African American cultural critique-- Critical race theory, signifyin', and cultural ownership-- Defining hip-hop aesthetics-- Claiming ownership in the post--civil rights era ; -- "Fair use" and the circulation of racialized texts ; -- "Transformative uses" : parody and memory-- From invisibility to erasure? The consequences of hip-hop aesthetics.
Item type: Online Book
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Item type Current library Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online KF (Browse shelf(Opens below)) Link to resource Available
Online Book G. Allen Fleece Library Online KF (Browse shelf(Opens below)) Link to resource Available

From chattel to intellectual property : legal foundations of African American cultural critique-- Critical race theory, signifyin', and cultural ownership-- Defining hip-hop aesthetics-- Claiming ownership in the post--civil rights era ; -- "Fair use" and the circulation of racialized texts ; -- "Transformative uses" : parody and memory-- From invisibility to erasure? The consequences of hip-hop aesthetics.

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