Speech and performance in Shakespeare's sonnets and plays / David Schalkwyk.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 051106442X
- 9780511064425
- 0511072880
- 9780511072888
- 0511120222
- 9780511120220
- Shakespeare, William, 1564-1616 -- Sonnets
- Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616
- Sonnets, English -- History and criticism
- Autobiography in literature
- Speech in literature
- Sonnets, English -- Criticism and interpretation
- English drama -- Early modern and Elizabethan, 1500-1600 -- Criticism and interpretation
- PR2848
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book | G. Allen Fleece Library Online | Non-fiction | PR2848 (Browse shelf(Opens below)) | Link to resource | Available | ocm57204680\ |
Includes bibliographies and index.
Introduction : the sonnets -- Performatives : the sonnets, Antony and Cleopatra and As you like it -- Embodiment : the sonnets, Love's labour's lost, Romeo and Juliet and Twelfth Night -- Interiority : the sonnets, Hamlet and King Lear -- Names : the sonnets, Romeo and Juliet, Troilus and Cressida and Othello -- Transformations : the sonnets and All's well that ends well.
David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive. Schalkwyk provides a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays.
COPYRIGHT NOT covered - Click this link to request copyright permission:
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