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Comrades and critics women, literature and the Left in 1930s Canada / Candida Rifkind.

By: Material type: TextTextPublication details: Toronto [Ont. : University of Toronto Press, (c)2009.; (Saint-Lazare, Quebec : Gibson Library Connections, (c)2010).Description: 1 online resource (viii, 268 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442687707
  • 1442687703
Subject(s): Genre/Form: LOC classification:
  • PR9185.6.6
Online resources:
Available additional physical forms:
Contents:
Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and Third Period Modernism -- Dorothy Livesay and the Third Period -- Communist Periodicals and Counterpublics -- The Revolutionary Chorus -- The Social Work of Documentary Poetry -- 2 The Poet, the Public, and Popular Front Modernism -- The Dustbowl and the Spanish Civil War -- Popular Front Periodicals and Poetics -- Anne Marriott's The Wind Our Enemy: A Modernist Poem -- Anne Marriott's The Wind Our Enemy: A Popular Front Poem -- 3 Leftist Theatre and the Performance of Gender -- The Socialist Stage and Amateur Theatre -- Reconstructing Leftist Performances -- Women and the Communist Stage -- The Comradely Ideal and Social Democratic Drama -- 4 The Novel and Documentary Modernism -- Irene Baird's Waste Heritage and Mass Unemployment -- Documentary Modernism -- Radical Manhood in Waste Heritage -- Writing Women, Reading Men -- Conclusion: New Formations-the Second World War and Beyond.
Item type: Online Book
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book G. Allen Fleece Library Online Non-fiction PR9185.6.6 (Browse shelf(Opens below)) Link to resource Available ocn759156590

Includes bibliographies and index.

Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and Third Period Modernism -- Dorothy Livesay and the Third Period -- Communist Periodicals and Counterpublics -- The Revolutionary Chorus -- The Social Work of Documentary Poetry -- 2 The Poet, the Public, and Popular Front Modernism -- The Dustbowl and the Spanish Civil War -- Popular Front Periodicals and Poetics -- Anne Marriott's The Wind Our Enemy: A Modernist Poem -- Anne Marriott's The Wind Our Enemy: A Popular Front Poem -- 3 Leftist Theatre and the Performance of Gender -- The Socialist Stage and Amateur Theatre -- Reconstructing Leftist Performances -- Women and the Communist Stage -- The Comradely Ideal and Social Democratic Drama -- 4 The Novel and Documentary Modernism -- Irene Baird's Waste Heritage and Mass Unemployment -- Documentary Modernism -- Radical Manhood in Waste Heritage -- Writing Women, Reading Men -- Conclusion: New Formations-the Second World War and Beyond.

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