Comrades and critics women, literature and the Left in 1930s Canada / Candida Rifkind.
Material type: TextPublication details: Toronto [Ont. : University of Toronto Press, (c)2009.; (Saint-Lazare, Quebec : Gibson Library Connections, (c)2010).Description: 1 online resource (viii, 268 pages)Content type:- text
- computer
- online resource
- 9781442687707
- 1442687703
- PR9185.6.6
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book | G. Allen Fleece Library Online | Non-fiction | PR9185.6.6 (Browse shelf(Opens below)) | Link to resource | Available | ocn759156590 |
Includes bibliographies and index.
Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and Third Period Modernism -- Dorothy Livesay and the Third Period -- Communist Periodicals and Counterpublics -- The Revolutionary Chorus -- The Social Work of Documentary Poetry -- 2 The Poet, the Public, and Popular Front Modernism -- The Dustbowl and the Spanish Civil War -- Popular Front Periodicals and Poetics -- Anne Marriott's The Wind Our Enemy: A Modernist Poem -- Anne Marriott's The Wind Our Enemy: A Popular Front Poem -- 3 Leftist Theatre and the Performance of Gender -- The Socialist Stage and Amateur Theatre -- Reconstructing Leftist Performances -- Women and the Communist Stage -- The Comradely Ideal and Social Democratic Drama -- 4 The Novel and Documentary Modernism -- Irene Baird's Waste Heritage and Mass Unemployment -- Documentary Modernism -- Radical Manhood in Waste Heritage -- Writing Women, Reading Men -- Conclusion: New Formations-the Second World War and Beyond.
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