Tricksters and cosmopolitans : cross-cultural collaborations in Asian American literary production /
Magosaki, Rei,
Tricksters and cosmopolitans : cross-cultural collaborations in Asian American literary production / [electronic resource] Rei Magosaki. - First edition. - New York : Fordham University Press, (c)2016. - 1 online resource (viii, 157 pages)
Includes bibliographies and index.
Cover; Half-Title; Title; Copyright; Contents; Acknowledgments; Introduction; 1 Trickster Poetics at the Turn of the Twentieth Century; Locating Trickster Poetics: Charles Chesnutt's The Conjure Woman (1889) and Walter Hines Page; Silence as Signifying: Sui Sin Far's Short Stories and William Hayes Ward; 2 The Making of the Cosmopolitan Subject; San Francisco's Multicultural Avant-Garde Literary Scene; A Star Is Born: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's ""Pet Food"" The Death of the Artist: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's ""Pet Food, "" Side BStephen Vincent, Momo's Press, and the Crafting of ""Pet Food""; 3 L.A.-Paris-New York: The Parameters of Literary Production at the Turn of the Twenty-First Century; Animating the Global South in Karen Tei Yamashita's Tropic of Orange (1998); Identifying the Imperial-Colonial Register in Monique Truong's The Book of Salt (2003); Chick Lit Goes to Wall Street: Min Jin Lee's Free Food for Millionaires (2007); Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T.
"Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui Sin Far, Jessica Hagedorn, Karen Tei Yamashita, Monique Truong, and Min Jin Lee. The newly imagined cosmopolitan subject that emerges from their works dramatically reconfigured Asian American female subjectivity in metropolitan space with a kind of fluidity and ease never before seen. But as Rei Magosaki shows, these narratives also invariably expose the problematic side of this figure, which also serves to perpetuate exploitative structures of Western imperialism and its legacies in late capitalism. Arguing that the actual establishment of such a critical standpoint on imperialism and globalization required the expansive and internationalist vision of editors who supported, cultivated, and promoted these works, Tricksters and Cosmopolitans reveals the negotiations between these authors and their publishers and between the shared investment in both politics and aesthetics that influenced the narrative structure of key works in the Asian American literary canon"--
9780823271337 0823271331
2015051454
American literature--Asian American authors--History and criticism.
Authorship--Collaboration.
Authorship--Social aspects--United States.
Authors and publishers--United States.
Electronic Books.
PS153.84
Tricksters and cosmopolitans : cross-cultural collaborations in Asian American literary production / [electronic resource] Rei Magosaki. - First edition. - New York : Fordham University Press, (c)2016. - 1 online resource (viii, 157 pages)
Includes bibliographies and index.
Cover; Half-Title; Title; Copyright; Contents; Acknowledgments; Introduction; 1 Trickster Poetics at the Turn of the Twentieth Century; Locating Trickster Poetics: Charles Chesnutt's The Conjure Woman (1889) and Walter Hines Page; Silence as Signifying: Sui Sin Far's Short Stories and William Hayes Ward; 2 The Making of the Cosmopolitan Subject; San Francisco's Multicultural Avant-Garde Literary Scene; A Star Is Born: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's ""Pet Food"" The Death of the Artist: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's ""Pet Food, "" Side BStephen Vincent, Momo's Press, and the Crafting of ""Pet Food""; 3 L.A.-Paris-New York: The Parameters of Literary Production at the Turn of the Twenty-First Century; Animating the Global South in Karen Tei Yamashita's Tropic of Orange (1998); Identifying the Imperial-Colonial Register in Monique Truong's The Book of Salt (2003); Chick Lit Goes to Wall Street: Min Jin Lee's Free Food for Millionaires (2007); Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T.
"Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui Sin Far, Jessica Hagedorn, Karen Tei Yamashita, Monique Truong, and Min Jin Lee. The newly imagined cosmopolitan subject that emerges from their works dramatically reconfigured Asian American female subjectivity in metropolitan space with a kind of fluidity and ease never before seen. But as Rei Magosaki shows, these narratives also invariably expose the problematic side of this figure, which also serves to perpetuate exploitative structures of Western imperialism and its legacies in late capitalism. Arguing that the actual establishment of such a critical standpoint on imperialism and globalization required the expansive and internationalist vision of editors who supported, cultivated, and promoted these works, Tricksters and Cosmopolitans reveals the negotiations between these authors and their publishers and between the shared investment in both politics and aesthetics that influenced the narrative structure of key works in the Asian American literary canon"--
9780823271337 0823271331
2015051454
American literature--Asian American authors--History and criticism.
Authorship--Collaboration.
Authorship--Social aspects--United States.
Authors and publishers--United States.
Electronic Books.
PS153.84