Musical illuminations of Genesis tales /
Leneman, Helen,
Musical illuminations of Genesis tales / [print] Musical illuminations of Genesis narratives Helen Leneman. - London, UK ; New York, New York, USA : Bloomsbury T and T Clark, an imprint of Bloomsbury Publishing Plc, [(c)2018. - xvii, 295 pages ; 24 cm. - T & T Clark library of biblical studies Scriptural traces : critical perspectives on the reception and influence of the Bible ; 12 Library of Hebrew Bible 646 . - T & T Clark library of biblical studies. Scriptural traces ; 12. Library of Hebrew Bible/Old Testament studies ; 646. .
The voices of Eve (Genesis 2-3). Jules Massenet and Eve : mystere (1875) ; Gabriel Faure and La Chanson d'Eve (1910) ; Noah and the flood (Genesis 6-9). Camille Saint-Saens and Le Deluge (The flood) (1875) ; Gaetano Donizetti and Il Diluvio universale (1830) ; Jacques Fromenthal Halevy and Georges Bizet, Noe (1862/69) ; Benjamin Britten and Noye's fludde (1958) ; Igor Stravinsky and The flood (1962) ; The Abraham-Sarah narratives (Genesis 12-22). Abraham in nineteenth-century oratorios ; Carl Amand Mangold and Abraham (1860) ; Martin Blumner and Abraham (1862) ; Abraham in twentieth- and twenty-first century opera ; Kurt Weill and The eternal road (1937) ; Ezra Ladennan and Sarah (1958) ; Gerald Cohen and Sarah and Hagar (2008) ; Elinor Remick Warren and Abram in Egypt (1961) ; The Abraham-Sarah narratives (Genesis 12-22) [continued]. Aqedah settings ; Abraham Goldfaden and Akeidas Izchok (1898) ; Ildebrando Pizzetti and La Rappresentazione di Abram e d'Isaac (1928) ; Igor Stravinsky and Abraham and Isaac (1964) ; Judith Kaplan Eisenstein and The sacrifice of Isaac : a liturgical drama (1972) ; Hagar in song ; Franz Schubert and Hagars Klage (Hagar's lament, 1811) ; Juan Crisostomo Arriaga and Agar dans le desert (Hagar in the Desert, 1825) ; Sally Beamish and Hagar in the wilderness (2013) ; Sarah from Women of valor suite by Andrea Clearfield (2000) ; Rebecca at the well (Genesis 24 ). Ferdinand Hiller and Rebecca, biblisches Idyll (1877) ; Cesar Franck and Rebecca : scene biblique (1881) ; Celanie Carissan and Rebecca : Oratorio (1893) ; Joseph and his brothers (Genesis 37-50). George Frederick Handel : Joseph and His Brethren (1744) ; Etienne-Nicolas Maul and Joseph : opera en trois actes (1807) ; Kurt Weill and The Eternal Road Annotated appendix of additional works. The Voices of Eve ; Alexander Goehr (1932-), Eve Dreams in Paradise (opus 49) ; Charles Villiers Stanford, Eden (1891) ; Joseph Haydn's The Creation (1796) ; Alessandro Scarlatti, Cain overo Il primo omicidio (Cain or the first homicide) (1707) ; Rodolphe Kreutzer (1766-1831), La Mort d'Abel (The Death of Abel; 1810/revised 1823) ; Stephen Schwartz, Children of Eden (1986) ; Jerry Bock, Lyrics by Sheldon Harnick, The Apple Tree (1966) ; Nathaniel Shilkret, The Genesis Suite (1945) ; Noah and the flood ; Daniel Beltzhoover, The Deluge (1860s) ; Alexander Goehr (1932-), The Deluge (1957)
"This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis." ;
9780567673732 0567673731
2017029548
Operas--Analysis, appreciation.
Oratorios--Analysis, appreciation.
Bible in music.
MT95.M875 2018 MT95.L565.M875 2018
Musical illuminations of Genesis tales / [print] Musical illuminations of Genesis narratives Helen Leneman. - London, UK ; New York, New York, USA : Bloomsbury T and T Clark, an imprint of Bloomsbury Publishing Plc, [(c)2018. - xvii, 295 pages ; 24 cm. - T & T Clark library of biblical studies Scriptural traces : critical perspectives on the reception and influence of the Bible ; 12 Library of Hebrew Bible 646 . - T & T Clark library of biblical studies. Scriptural traces ; 12. Library of Hebrew Bible/Old Testament studies ; 646. .
The voices of Eve (Genesis 2-3). Jules Massenet and Eve : mystere (1875) ; Gabriel Faure and La Chanson d'Eve (1910) ; Noah and the flood (Genesis 6-9). Camille Saint-Saens and Le Deluge (The flood) (1875) ; Gaetano Donizetti and Il Diluvio universale (1830) ; Jacques Fromenthal Halevy and Georges Bizet, Noe (1862/69) ; Benjamin Britten and Noye's fludde (1958) ; Igor Stravinsky and The flood (1962) ; The Abraham-Sarah narratives (Genesis 12-22). Abraham in nineteenth-century oratorios ; Carl Amand Mangold and Abraham (1860) ; Martin Blumner and Abraham (1862) ; Abraham in twentieth- and twenty-first century opera ; Kurt Weill and The eternal road (1937) ; Ezra Ladennan and Sarah (1958) ; Gerald Cohen and Sarah and Hagar (2008) ; Elinor Remick Warren and Abram in Egypt (1961) ; The Abraham-Sarah narratives (Genesis 12-22) [continued]. Aqedah settings ; Abraham Goldfaden and Akeidas Izchok (1898) ; Ildebrando Pizzetti and La Rappresentazione di Abram e d'Isaac (1928) ; Igor Stravinsky and Abraham and Isaac (1964) ; Judith Kaplan Eisenstein and The sacrifice of Isaac : a liturgical drama (1972) ; Hagar in song ; Franz Schubert and Hagars Klage (Hagar's lament, 1811) ; Juan Crisostomo Arriaga and Agar dans le desert (Hagar in the Desert, 1825) ; Sally Beamish and Hagar in the wilderness (2013) ; Sarah from Women of valor suite by Andrea Clearfield (2000) ; Rebecca at the well (Genesis 24 ). Ferdinand Hiller and Rebecca, biblisches Idyll (1877) ; Cesar Franck and Rebecca : scene biblique (1881) ; Celanie Carissan and Rebecca : Oratorio (1893) ; Joseph and his brothers (Genesis 37-50). George Frederick Handel : Joseph and His Brethren (1744) ; Etienne-Nicolas Maul and Joseph : opera en trois actes (1807) ; Kurt Weill and The Eternal Road Annotated appendix of additional works. The Voices of Eve ; Alexander Goehr (1932-), Eve Dreams in Paradise (opus 49) ; Charles Villiers Stanford, Eden (1891) ; Joseph Haydn's The Creation (1796) ; Alessandro Scarlatti, Cain overo Il primo omicidio (Cain or the first homicide) (1707) ; Rodolphe Kreutzer (1766-1831), La Mort d'Abel (The Death of Abel; 1810/revised 1823) ; Stephen Schwartz, Children of Eden (1986) ; Jerry Bock, Lyrics by Sheldon Harnick, The Apple Tree (1966) ; Nathaniel Shilkret, The Genesis Suite (1945) ; Noah and the flood ; Daniel Beltzhoover, The Deluge (1860s) ; Alexander Goehr (1932-), The Deluge (1957)
"This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis." ;
9780567673732 0567673731
2017029548
Operas--Analysis, appreciation.
Oratorios--Analysis, appreciation.
Bible in music.
MT95.M875 2018 MT95.L565.M875 2018