000			03418nam a2200373Ki 4500
001			ocn858861237
003			OCoLC
005			20240726105426.0
008			130924s2013 nyua ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9780199986439 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aML1380 _b.E443 2013
049			_aNTA
100	1		_aManning, Peter, _d1948- _e1
245	1	0	_aElectronic and computer music /Peter Manning.
250			_aFourth edition.
260			_aNew York : _bOxford University Press, _c(c)2013.
300			_a1 online resource (xii, 543 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aThe background to 1945 -- _tDevelopments from 1945 to 1960 : Paris and Musique Concrète ; Cologne and Elektronische Musik ; Milan and elsewhere in Europe ; America -- _tNew Horizons in electronic design : The voltage-controlled synthesizer -- _tThe electronic repertory from 1960 : Works for tape ; Live electronic music ; Rock and pop electronic music -- _tThe digital revolution to 1980 : The foundations of computer music ; From computer technology to musical creativity ; The microprocessor revolution -- _tDigital audio : The characteristics of digital audio -- _tMIDI : The development of the MIDI communications protocol ; From analog to digital: the evolution of MIDI hardware ; From microcomputer to music computer: the MIDI perspective ; Further advances in hardware design ; The changing fortunes of the MIDI manufacturing sector -- _tDesktop synthesis and signal processing : From minicomputer to advanced computer workstation ; The personal computer ; The digital audio workstation ; Laptop music and related activities ; Synthesis, signal processing, and spatialization ; Performance controllers: evolution and change -- _tGlobal networking : the internet ; Conclusion.
520	3		_aIn this new edition of the classic text on the evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. The scope of the many developments that have taken place since the late 1990s are considered in a series of new and updated chapters, including topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.
530			_a2 _ub
650		0	_aElectronic music _xHistory and criticism.
650		0	_aComputer music _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642162&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c99917 _d99917
902			_a1 _bCynthia Snell _c1 _dCynthia Snell