000			03292cam a2200397 i 4500
001			ocn856411642
003			OCoLC
005			20240726105419.0
008			130819s2013 mau ob 001 0 eng d
040			_aYDXCP _beng _epn _erda _cYDXCP _dOCLCO _dIDEBK _dNT _dE7B _dCDX _dOCLCA _dOCLCF _dOCLCQ _dEBLCP _dOCLCQ _dAGLDB _dMOR _dMERUC _dOCLCQ _dSTF _dVTS _dINT _dJBG _dOCLCQ _dMITPR _dOCLCA _dYOU _dREC _dOCLCQ _dOCL _dDKC _dOCLCQ _dM8D _dOCLCQ _dAJS _dSFB _dOCL _dOCLCO _dOCLCQ
020			_a9781461937135 _q((electronic)l(electronic)ctronic)
020			_a9780262316507 _q((electronic)l(electronic)ctronic)
050	0	4	_aN6537 _b.R634 2013
049			_aMAIN
245	1	0	_aRobert Morris /edited by Julia Bryan-Wilson.
260			_aCambridge, MA : _bMIT Press, _c(c)2013.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aOctober files
504			_a2
505	0	0	_t-- _tNotes on Dance (1965) / _rRobert Morris -- _tRobert Morris -- _tAn Aesthetics of Transgression (1969) / _rAnnette Michelson -- _tConversation with Robert Morris in 1985 (1994) / _rBenjamin H.D. Buchloh -- _tMind/Body Problem: Robert Morris in Series (1994) / _rRosalind Krauss -- _tReception of the Sixties (1994) / _rBenjamin H.D. Buchloh -- _tRobert Morris and John Cage: Reconstructing a Dialogue (1997) / _rBranden W. Joseph -- _tMinding the Body: Robert Morris's 1971 Tate Gallery Retrospective (1999) / _rJon Bird -- _tRobert Morris's Art Strike (2009) / _rJulia Bryan-Wilson.
520	0		_aEssays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period. This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (born 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of October about resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.
530			_a2 _ub
600	1	0	_aMorris, Robert, _d1931-2018 _xCriticism and interpretation.
653			_aARTS/Art History/Contemporary Art
653			_aARTS/General
655		1	_aElectronic Books.
700	1		_aBryan-Wilson, Julia, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=622709&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN. _m(c)2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c99568 _d99568
902			_a1 _bCynthia Snell _c1 _dCynthia Snell