000			02051nam a2200361Ki 4500
001			ocn859537347
003			OCoLC
005			20240726105419.0
008			131007s2013 enk ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9781107417632 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
043			_ae-uk---
050	0	4	_aPN2593 _b.C454 2013
049			_aNTA
100	1		_aWorrall, David. _e1
245	1	0	_aCelebrity, performance, reception : _bBritish Georgian theatre as social assemblage / _cDavid Worrall.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c(c)2013.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: theatre, performance and social assemblage theory -- _tTheatrical assemblages and theatrical markets -- _tGeorgian performance and the assemblage model -- _tTheatrical celebrity as social assemblage: from Garrick to Kean -- _tCelebrity networks: Kean and Siddons -- _tA working theatrical assemblage: 1790s -- _tRepresentations of naval conflict -- _tTheatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- _tHistoricizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- _tThe regulatory assemblage: the Roman actor and the politics of self-censorship -- _tConclusion.
530			_a2 _ub
650		0	_aTheater _zGreat Britain _xHistory _y18th century.
650		0	_aTheater audiences _zGreat Britain _xHistory _y18th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=622134&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c99554 _d99554
902			_a1 _bCynthia Snell _c1 _dCynthia Snell