000			03121cam a2200409Mi 4500
001			ocn822667313
003			OCoLC
005			20240726105413.0
008			121221s2012 mdu ob 001 0 eng d
040			_aYDXCP _beng _erda _cYDXCP _dOCLCO _dUMC _dE7B _dORE _dNT
020			_a9781421407456 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
029	1		_aNZ1 _b14831845
050	0	4	_aPR868 _b.S967 2012
049			_aNTA
100	1		_aGreiner, Rae. _e1
245	1	0	_aSympathetic realism in nineteenth-century British fictionRae Greiner.
260			_aBaltimore : _bJohns Hopkins University Press, _c(c)2012.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
505	0	0	_aIntroduction: Thinking of me thinking of you : sympathetic realism -- _tGoing along with others : Adam Smith and the realists: Smith's sympathetic protocols ; Sympathetic form -- _tThe art of knowing your own nothingness : Bentham, Austen, and the realist case: Sympathy and the case for realism ; Persuasion and the sympathetic case -- _tDickensian sympathy : translation in the proper pitch: Harmonizing in other words ; Form's proper pitch. -- _tNot getting to know you : sympathetic detachment: Sympathetic detachment ; Groupthink in Conrad and James -- _tCoda: Sympathy versus empathy : the end of sympathy at century's end.
520	0		_a"Rae Greiner proposes that sympathy is integral to the form of the classic nineteenth-century realist novel. Following the philosophy of Adam Smith, Greiner argues that sympathy does more than foster emotional identification with others; it is a way of thinking along with them. By abstracting emotions, feelings turn into detached figures of speech that may be shared. Sympathy in this way produces realism; it is the imaginative process through which the real is substantiated. In Sympathetic Realism in Nineteenth-Century British Fiction Greiner shows how this imaginative process of sympathy is written into three novelistic techniques regularly associated with nineteenth-century fiction: metonymy, free indirect discourse, and realist characterization. She explores the work of sentimentalist philosophers David Hume, Adam Smith, and Jeremy Bentham and realist novelists Jane Austen, Charles Dickens, George Eliot, Joseph Conrad, and Henry James."--Project Muse.
504			_a2
530			_a2 _ub
650		0	_aEnglish fiction _y19th century _xHistory and criticism.
650		0	_aRealism in literature.
650		0	_aSympathy in literature.
650		0	_aNarration (Rhetoric) _xHistory _y19th century.
650		0	_aFiction _xTechnique.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=601097&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a11 _bNT
999			_c99252 _d99252
902			_a1 _bCynthia Snell _c1 _dCynthia Snell