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| 001 | ocn794700364 | ||
| 005 | 20240726105413.0 | ||
| 008 | 110203s2011 mdu obd 001 0 eng d | ||
| 040 |
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| 020 |
_a9781421403601 _q((electronic)l(electronic)ctronic) |
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_aDEBBG _bBV043094140 |
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_aDEBBG _bBV044055422 |
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_aNZ1 _b14248659 |
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| 050 | 0 | 4 |
_aPS3505 _b.H378 2011 |
| 100 | 1 |
_aIrwin, John T. _e1 |
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| 245 | 1 | 0 |
_aHart Crane's poetry : _b"Appollinaire lived in Paris, I live in Cleveland, Ohio" / _cJohn T. Irwin. |
| 260 |
_aBaltimore : _bJohns Hopkins University Press, _c(c)2011. |
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| 300 | _a1 online resource (448 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 504 | _a2 | ||
| 505 | 0 | 0 | _a""Cover""; ""Contents""; ""Preface""; ""Part One. The Bridge""; ""1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins""; ""2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind""; ""3 Spengler�s Reading of Perspective as a Culture-Symbol""; ""4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco�s Agony in the Garden; the Grail; Dionysus and Jesus""; ""5 Counterpoint in The Bridge""; ""6 Foreshadowing and Lateral Foreshadowing; the Grail Quest. |
| 505 | 0 | 0 | _aEliot�s The Waste Land""""7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification""; ""8 The Reversal of the Figures of Father and Mother in “Indiana�; Crane�s Dream of the Black Man by the River; Crane�s Quarrel with His Father; the Composition of “Black Tambourine�""; ""9 Crane�s Dream of His Mother�s Trunk in the Attic""; ""10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe�s Faust. |
| 505 | 0 | 0 | _aPlatoâ€?s Cave Allegory as aSublimated Womb Fantasy Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Korē, and the Amerindian Corn Mother""; ""11 Building the Virgin; Craneâ€?s “To Libertyâ€?; Lazarusâ€?s “The New Colossusâ€?; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Korē the Virgin Mary and Queen Elizabeth I""; ""12 The Education of Henry Adams; Arnoldâ€?s “Stanzas from the Grande Chartreuseâ€?; Wandering between Two Worlds; Senecaâ€?s Medea; Whitman and the Rebound Seed""; ""13 “Three Songsâ€?; Golden Hair. |
| 505 | 0 | 0 | _a€œQuaker Hillâ€? and the Motherly Artist the Return of the Golden Age; Astraea and Atlantis""; ""14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain""; ""15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D.H. Lawrence as Influences on The Bridge; Waldo Frankâ€?s Our America and the Image of Submergence""; ""16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance""; ""17 The Aeneid, Book 6, and “The Tunnelâ€? |
| 505 | 0 | 0 | _a€œCutty Sarkâ€? and Glaucus in Ovid Burnsâ€?s “Tam oâ€? Shanterâ€?; Glaucus in Keatsâ€?s Endymion""; ""18 Time and Eternity in “Cutty Sarkâ€?; Stamboul Rose, Atlantis Rose, and Danteâ€?s Rose; Moby-Dick and “Cutty Sarkâ€?""; ""19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo""; ""20 Constellations and The Bridge""; ""21 Constellations Continued; Panis Angelicus""; ""22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; “Atlantisâ€?; One Arc Synoptic of All Times"" |
| 530 |
_a2 _ub |
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| 600 | 1 | 0 |
_aCrane, Hart, _d1899-1932 _xCriticism and interpretation. |
| 653 | _a"Multi-User" | ||
| 655 | 1 | _aElectronic Books. | |
| 856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=600986&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 |
_cOB _D _eEB _hPS. _m2011 _QOL _R _x _8NFIC _2LOC |
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_c99222 _d99222 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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