000			03929cam a22004693i 4500
001			ocn864775054
003			OCoLC
005			20240726105410.0
008			131129s2014 quca ob 001 0 eng
040			_aNLC _beng _erda _epn _cNLC _dOCLCO _dNT _dOCLCF _dE7B _dJSTOR _dYDXCP _dOCLCQ _dOCLCO _dCELBN _dEBLCP _dAGLDB _dOCLCQ _dMERUC _dOCLCQ _dSTF _dVNS _dVTS _dCEF _dOCLCQ _dINT _dOCLCQ _dS9I _dOCLCQ _dDKC _dCNTRU _dOCLCQ _dAJS _dOCLCO
020			_a9780773589599 _q((electronic)l(electronic)ctronic)
043			_an-cn---
050	0	4	_aPR9189 _b.D578 2014
049			_aMAIN
100	1		_aHunter, Lynette, _e1
245	1	0	_aDisunified aesthetics : _bsituated textuality, performativity, collaboration / _cLynette Hunter.
260			_aMontreal : _bMcGill-Queen's University Press, _c(c)2014.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction -- _tpart one Situated textualities. Commentary -- _tOpening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- _tTrying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- _tLearning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity.
505	0	0	_aPart two Performativity. Commentary -- _tLabour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- _tFace-work and Going to the End of the Line with Frank Davey's Writing -- _tThe Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- _tThe Rhetoric of Masking in Writing by Alice Munro.
505	0	0	_aPart three Collaboration. Commentary -- _tDaphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- _tDe-scribing Performance in bpNichol's Selected Organs -- _tRoget Falls in Love.
520	0		_aAesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critics stance toward the written works with which they engage. Lynette Hunters performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian womens writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar.
530			_a2 _ub
650		0	_aAesthetics in literature.
650		0	_aPerformance in literature.
650		0	_aEthics in literature.
650		0	_aCreation (Literary, artistic, etc.) in literature.
650		0	_aCanadian literature _y21st century _xHistory and criticism _xTheory, etc.
650		0	_aReader-response criticism.
650		5	_aCanadian literature (English) _y20th century _xHistory and criticism _xTheory, etc.
650		5	_aCanadian literature (English) _y21st century _xHistory and criticism _xTheory, etc.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=594585&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c99068 _d99068
902			_a1 _bCynthia Snell _c1 _dCynthia Snell