000			03730cam a2200457Mi 4500
001			ocn821708011
005			20240726105408.0
008			110830s2012 mdu ob 001 0 eng
040			_aNz _beng _epn _erda _cUV0 _dOCLCO _dYDXCP _dNT _dOCLCA _dORE _dP@U _dOCLCF _dOCLCO _dNLGGC _dE7B _dOCLCQ _dEBLCP _dOCLCO _dNKT _dOCL _dLOA _dOCLCO _dD6H _dJBG _dAGLDB _dOCLCQ _dOCLCO
020			_a9781421405414 _q((electronic)l(electronic)ctronic)
029	0		_aNZ1 _b14687351
029	1		_aDEBBG _bBV041559039
029	1		_aDEBBG _bBV043094873
029	1		_aDEBBG _bBV044101866
029	1		_aDEBSZ _b421250933
029	1		_aDKDLA _b820120-katalog:000728058
029	1		_aGBVCP _b804193886
043			_an-us-ny
050	0	4	_aPS153 _b.P793 2012
100	1		_aGarcia, Jay, _d1972- _e1
245	1	0	_aPsychology Comes to Harlem : _bRethinking the Race Question in Twentieth-Century America / _cJay Garcia.
260			_aBaltimore : _bJohns Hopkins University Press, _c(c)2012.
300			_a1 online resource (232 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aNew studies in American intellectual and cultural history
520	0		_a"In the years preceding the modern civil rights era, cultural critics profoundly affected American letters through psychologically informed explorations of racial ideology and segregationist practice. Jay Garcia's probing look at how and why these critiques arose and the changes they wrought demonstrates the central role Richard Wright and his contemporaries played in devising modern antiracist cultural analysis. Departing from the largely accepted existence of a "Negro Problem," Wright and such literary luminaries as Ralph Ellison, Lillian Smith, and James Baldwin described and challenged a racist social order whose psychological undercurrents implicated all Americans and had yet to be adequately studied. Motivated by the elastic possibilities of clinical and academic inquiry, writers and critics undertook a rethinking of "race" and assessed the value of psychotherapy and psychological theory as antiracist strategies. Garcia examines how this new criticism brought together black and white writers and became a common idiom through fiction and nonfiction that attracted wide readerships. An illuminating picture of mid-twentieth-century American literary culture and intellectual life, Psychology Comes to Harlem reveals the critical and intellectual innovation of literary artists who bridged psychology and antiracism to challenge segregation."--Project Muse.
504			_a2
505	0	0	_aRichard Wright and the "the unconscious machinery of race relations" -- _tRichard Wright reading: the promise of social psychiatry -- _t"The problem of race and minorities from below": the wartime cultural criticism of Chester Himes, Horace Cayton, Ralph Ellison and C.L.R. James -- _tStrange fruit: Lillian Smith and the making of whiteness -- _tNotes of a native son: James Baldwin in postwar America.
530			_a2 _ub
600	1	0	_aBaldwin, James, _d1924-1987 _xCriticism and interpretation.
600	1	0	_aWright, Richard, _d1908-1960 _xCriticism and interpretation.
650		0	_aAfrican Americans _xIntellectual life _y20th century.
650		0	_aAmerican literature _xAfrican American authors _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=590699&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2012 _QOL _R _x _8NFIC _2LOC
999			_c98995 _d98995
902			_a1 _bCynthia Snell _c1 _dCynthia Snell