000 04315cam a2200433 i 4500
001 ocn841909759
003 OCoLC
005 20240726105405.0
008 121001s2013 ilu ob 001 0deng
010 _a2019718486
040 _aDLC
_beng
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020 _a9780252094774
_q((electronic)l(electronic)ctronic)-book
042 _apcc
043 _an-usu--
050 0 0 _aML3537
_b.S688 2013
049 _aMAIN
100 1 _aWhiteis, David.
_e1
245 1 0 _aSouthern soul-blues /David Whiteis ; foreword by Denise LaSalle.
260 _aUrbana :
_bUniversity of Illinois Press,
_c(c)2013.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aMusic in American Life
504 _a2
505 0 0 _aCover --
_tTitle Page --
_tCopyright Page --
_tContents --
_tForeword (by Denise LaSalle): America's Prodigal Son --
_tAcknowledgments --
_tIntroduction: It's a Southern Soul Party --
_tPart I. Deep Blues, Deep Soul, and Beyond: The Roots and Development of Southern Soul-Blues --
_tPart II. Party Like Back in the Day: Soul Survivors --
_t1. Latimore: I Capture the Feeling --
_t2. Denise LaSalle: Still the Queen --
_t3. J. Blackfoot: Don't Give Up�Tighten Up! --
_t4. Bobby Rush: Behind the Trickster's Mask
505 0 0 _aPart III. Now Playing Love Games: Voices from the New Generation5. Willie Clayton: Last Man Standing --
_t6. Sweet Angel: Lessons in Life --
_t7. Sir Charles Johes: Is There Anybody Lonely? --
_t8. Ms. Jody: Just a Little Bit Won't Get It --
_tPostscript: The Raunch Debate: Hoochification or Sexual Healing? --
_tPart IV. The Crossroad and Further On: Where Do We Go from Here? --
_tIntroduction: Too Late to Stop Now --
_t9. Blues with a Feeling: Writing Songs for the Market and the Heart
505 0 0 _a10. Music and the Marketplace: Getting Heard, Getting Known, and Staying on Top of the Game11. Evolution: A Look toward the Future --
_tPart V. Soul Stew Revisited --
_t12. Leading Lights --
_t13. Soul Serenade --
_tNotes --
_tReferences --
_tIndex
520 0 _aEarthy and exuberant music with deep Southern roots. Attracting passionate fans primarily among African American listeners in the South, southern soul draws on such diverse influences as the blues, 1960s-era deep soul, contemporary R and B, neosoul, rap, hip-hop, and gospel. Aggressively danceable, lyrically evocative, and fervidly emotional, southern soul songs often portray unabashedly carnal themes, and audiences delight in the performer-audience interaction and communal solidarity at live performances. Examining the history and development of southern soul from its modern roots in the 1960s and 1970s, David Whiteis highlights some of southern soul's most popular and important entertainers and provides first-hand accounts from the clubs, show lounges, festivals, and other local venues where these performers work. Profiles of veteran artists such as Denise LaSalle, the late J. Blackfoot, Latimore, and Bobby Rush--as well as contemporary artists T.K. Soul, Ms. Jody, Sweet Angel, Willie Clayton, and Sir Charles Jones--touch on issues of faith and sensuality, artistic identity and stereotyping, trickster antics, and future directions of the genre. These revealing discussions, drawing on extensive new interviews, also acknowledge the challenges of striving for mainstream popularity while still retaining the cultural and regional identity of the music and maintaining artistic ownership and control in the age of digital dissemination. --
530 _a2
_ub
650 0 _aSoul music
_zSouthern States
_xHistory and criticism.
650 0 _aSoul musicians
_zSouthern States.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=579375&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
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_hML
_m2013
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c98827
_d98827
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell