000			03061cam a2200433Ki 4500
001			ocn844235363
003			OCoLC
005			20240726105405.0
008			130523t20122013inu ob 001 0 eng d
010			_z2013935556
040			_aNT _beng _epn _erda _cNT _dYDXCP _dOCLCF _dMHW _dMEAUC _dCGU _dP@U _dCOO _dE7B _dJSTOR _dOCLCQ _dS4S _dK6U _dOCLCQ _dOCL _dCUS _dOCLCQ _dLOA _dOCLCQ _dAZK _dLTP _dCOCUF
020			_a9780253006998 _q((electronic)l(electronic)ctronic)
050	0	4	_aNX87-589 _b.A375 2012
049			_aMAIN
245	1	0	_aAfrican art, interviews, narratives. Bodies of knowledge at work /Joanna Grabski ; Carol Magee.
260			_aBloomington : _bIndiana University Press, _c(c)2012.
300			_a1 online resource (216 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aAfrican Expressive Cultures
520	8		_aJoanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
504			_a2
505	0	0	_aCover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi.
505	0	0	_a7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index.
530			_a2 _ub
650		0	_aArt, African.
650		4	_aArt, African _vExhibitions.
650		4	_aArt, African _xHistory.
650		4	_aArt, African.
655		1	_aElectronic Books.
700	1		_aGrabski, Joanna, _e5
700	1		_aMagee, Carol L., _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=578494&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNX-. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98806 _d98806
902			_a1 _bCynthia Snell _c1 _dCynthia Snell