000 02777cam a2200349Ii 4500
001 ocn842885876
003 OCoLC
005 20240726105404.0
008 130510s2013 xx ob 001 0 eng d
040 _aIDEBK
_beng
_epn
_erda
_cIDEBK
_dE7B
_dCCO
_dNT
_dP@U
_dOCLCF
_dYDXCP
_dCOO
_dOCLCQ
_dJSTOR
020 _a9780803246027
_q((electronic)l(electronic)ctronic)
020 _a9781299535282
_q((electronic)l(electronic)ctronic)
050 0 4 _aNX456
_b.S877 2013
049 _aMAIN
100 1 _aConley, Katharine,
_d1956-
_e1
245 1 0 _aSurrealist Ghostliness
260 _bUniversity of Nebraska Press,
_c(c)2013.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
520 0 _a"In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists' response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death. Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassai; and Salvador Dali;, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century's most influential yet disparate avant-garde movement"--
_cProvided by publisher.
504 _a2
530 _a2
_ub
650 0 _aSurrealism
_xThemes, motives.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=577642&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hNX..
_m2013
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c98793
_d98793
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell