000 | 02777cam a2200349Ii 4500 | ||
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001 | ocn842885876 | ||
003 | OCoLC | ||
005 | 20240726105404.0 | ||
008 | 130510s2013 xx ob 001 0 eng d | ||
040 |
_aIDEBK _beng _epn _erda _cIDEBK _dE7B _dCCO _dNT _dP@U _dOCLCF _dYDXCP _dCOO _dOCLCQ _dJSTOR |
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_a9780803246027 _q((electronic)l(electronic)ctronic) |
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020 |
_a9781299535282 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aNX456 _b.S877 2013 |
049 | _aMAIN | ||
100 | 1 |
_aConley, Katharine, _d1956- _e1 |
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245 | 1 | 0 | _aSurrealist Ghostliness |
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_bUniversity of Nebraska Press, _c(c)2013. |
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300 | _a1 online resource. | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_a"In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists' response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death. Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassai; and Salvador Dali;, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century's most influential yet disparate avant-garde movement"-- _cProvided by publisher. |
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_aSurrealism _xThemes, motives. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=577642&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hNX.. _m2013 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |