000 | 02474cam a2200457Ii 4500 | ||
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001 | ocn823729931 | ||
003 | OCoLC | ||
005 | 20240726105401.0 | ||
008 | 121130s2012 wlkaf ob 001 0deng d | ||
040 |
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_a9781783165490 _q((electronic)l(electronic)ctronic) |
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020 |
_a9780708325384 _q((electronic)l(electronic)ctronic) |
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043 | _as-ag--- | ||
050 | 0 | 4 |
_aPQ7797 _b.A365 2012 |
049 | _aNTA | ||
245 | 1 | 0 |
_aAdolfo Bioy Casares _bBorges, fiction and art / _cedited by Karl Posso. |
260 |
_aCardiff : _bUniversity of Wales Press, _c(c)2012. |
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_a1 online resource (xvi, 223 pages, 8. pages of plates) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aIberian and Latin American studies | |
504 | _a2 | ||
505 | 0 | 0 | _aSeries Editors' Foreword; Acknowledgements; List of figures; Note on translations; Notes on contributors; Introduction: Rethinking Adolfo Bioy Casares; Adolfo Bioy Casares: a biographical sketch; Borges's appendix: reflections on Bioy's diary; Bioy and Borges: from the third man to the worldof Bustos Domecq; Every man is an island: Bioy's fiction; 1969: youth and rebellion in Diario de la guerra del cerdoand Invasión; The fantastic in Bioy's short stories; Bioy, Ocampo and the photographic image; To love in the infinitive: time, image and the powers of thefalse in La invención de Morel; Index. |
520 | 0 | _aThis volume reconsiders the work and cultural import of Adolfo Bioy Casares (1914-1999), who is best known for his collaborations with Jorge Luis Borges. | |
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_a2 _ub |
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600 | 1 | 0 |
_aBioy Casares, Adolfo _xCriticism and interpretation. |
655 | 1 | _aElectronic Books. | |
700 | 1 | _aPosso, Karl. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=572003&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPQ. _m2012 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |