000			03337cam a2200433 i 4500
001			ocn785782165
003			OCoLC
005			20240726105400.0
008			050729s2006 ilu ob 001 0beng
010			_a2019717377
040			_aDLC _beng _erda _cDLC _dYDXCP _dNT _dJSTOR _dP@U _dOCLCF _dNLGGC _dIDEBK _dCOO _dEBLCP _dAGLDB _dMERUC _dIOG _dEZ9 _dSTF _dVTS _dWYU _dLVT _dYOU _dA6Q _dDKC _dM8D _dE7B
015			_aGBA618625 _2bnb
016	7		_a013391186 _2Uk
020			_a9780252091926 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
020			_a9781283044059
043			_an-us---
050	0	0	_aML410 _b.L684 2006
049			_aMAIN
100	1		_aMiller, Leta E. _e1
245	1	0	_aLou Harrison /Leta E. Miller, Fredric Lieberman.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2006.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aAmerican composers
504			_a2
505	0	0	_aContents -- _tAcknowledgments -- _t1 Prelude -- _t2 Portrait -- _t3 Percussion Music and Instrument Building -- _t4 Passion for Asia -- _t5 Purely in Tune -- _t6 Processes of Synthesis -- _t7 Politics and Society -- _t8 Peroration -- _tNotes -- _tSelected works -- _tFor further reading -- _tSuggested listening -- _tCompact disc contents -- _tIndex -- _tComposers -- _tCD track listing
520	0		_aMusic's inclusivity--its potential to unite cultures, disciplines, and individuals--defined the life and career of Lou Harrison (1917-2003). Beyond studying with leading composers of the avant-garde such as Henry Cowell and Arnold Schoenberg, conducting Charles Ives's Pulitzer Prize-winning Third Symphony, and staging high-profile percussion concerts with John Cage, Harrison has achieved fame for his distinctive blending of cultures--from the Chinese opera, Indonesian gamelan, and the music of Native Americans to modernist dissonant counterpoint. Miller and Lieberman also pull readers into Harrison's rich world of cross-fertilization through an exploration of his outspoken stance on pacifism, gay rights, ecology, and respect for minorities--all of which directly impacted his musical works. Though Harrison was sometimes accused by contemporaries of "cultural appropriation," Miller and Lieberman's brisk study makes it clear why he is now lauded as an imaginative pioneer for his integration of Asian and Western musics, as well as for his work in the development of the percussion ensemble, his use of found and invented instruments, and his explorations of alternative tuning systems. Harrison's compositions are examined in detail through reference to an accompanying CD of representative recordings.
530			_a2 _ub
650		0	_aComposers _zUnited States _vBiography.
655		1	_aElectronic Books.
700	1		_aLieberman, Fredric.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569971&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2006 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98529 _d98529
902			_a1 _bCynthia Snell _c1 _dCynthia Snell