000			03212cam a2200421 i 4500
001			ocn708738128
003			OCoLC
005			20240726105357.0
008			090914s2010 ilu obk s001 0 eng
010			_a2019718458
040			_aDLC _beng _erda _cDLC _dYDXCP _dE7B _dCOO _dNT _dJSTOR _dP@U _dEBLCP _dAZK _dLOA _dJBG _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dEZ9 _dSTF _dWRM _dVTS _dNRAMU _dICG _dVT2 _dWYU _dLVT _dYOU _dTKN _dDKC _dM8D _dCDX
020			_a9780252091490 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
043			_an-us---
050	0	0	_aML82 _b.S664 2010
049			_aMAIN
100	1		_aHayes, Eileen M. _e1
245	1	0	_aSongs in Black and lavender : _brace, sexual politics, and women's music / _cEileen M. Hayes ; foreword by Linda Tillery.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2010.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aAfrican American music in global perspective
504			_a2
505	0	0	_aDiary of a mad Black woman festigoer -- _tReconnaissance : entering a music festival scene -- _tAfter the golden age : negotiating perspective -- _tNappy (and deep) roots : streams of musical and political influence -- _t"Ideal relationships" : women's music audiences -- _tRedistricting : gay and black outdoors -- _tLegacy : musicians of the next generation -- _tWorking for the weekend : festival organizers and workers -- _tGuys like us : community membership revisited.
520	8		_aAnnotation _b<div>Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.</div>
530			_a2 _ub
650		0	_aAfrican American women _xMusic _xHistory and criticism.
650		0	_aWomen's music _xHistory and criticism.
650		0	_aWomen's music festivals _zUnited States.
650		0	_aFeminism and music _zUnited States.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569748&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2010 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98339 _d98339
902			_a1 _bCynthia Snell _c1 _dCynthia Snell