000			05309cam a2200469 i 4500
001			ocn785781215
003			OCoLC
005			20240726105357.0
008			080520s2009 ilua o s001 0 eng
010			_a2019718456
040			_aDLC _beng _erda _cDLC _dYDXCP _dNT _dJSTOR _dOCLCF _dP@U _dCOO _dIDEBK _dEBLCP _dOCLCE _dAZK _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dEZ9 _dSTF _dWRM _dVTS _dICG _dVT2 _dWYU _dLVT _dDKC _dM8D _dAU@ _dE7B
015			_aGBA8A9159 _2bnb
016	7		_a014753932 _2Uk
020			_a9780252091476 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
020			_a9781283059992
050	0	0	_aPS3558 _b.U848 2009
049			_aMAIN
100	1		_aHarper, Michael S., _d1938-2016. _e1
245	1	0	_aUse trouble : _bpoems / _cby Michael S. Harper.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2009.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aThe Illinois poetry series
504			_a2
505	0	0	_aCover -- _tTitle Page -- _tCopyright -- _tContents -- _tI. The Fret Cycle -- _tFret (A Tune Near Composition in the Studio) -- _tA Note from Cathy at Yaddo -- _tThe Lesson for Paul on Catherine Clarke's Birthday -- _tFret in the Woods -- _tTable Notice -- _tFret Skips Town for a Gig in New London -- _tFret Deep in the Woods -- _tFret Leaves Yaddo -- _tGhost of Fret at High Table: Mansion -- _tFret's News from the Front: Yaddo After -- _tMartini Glasses Galore -- _tFret Shows Up at the Metropolitan -- _tThe List: Yaddo -- _tFret Leaves Yaddo in Disguise -- _tFret Having Survived Modernity
505	0	0	_aFret Discovers the Blues, AgainAss -- _tFret in Studio with the Ancestors -- _tFret Find the Instrument of Archipelago -- _tMt. Pleasant Local Library -- _tFret Finds the Open Field -- _tII. Use Trouble -- _tA Photographic Guide to the City -- _tUse Trouble -- _tPortrait: (Jay Saunders Redding at Sayles Hall) 5/26/97 -- _tEsther -- _tTriumphs -- _tHomage to Jay Saunders Redding on His Natal Day: 10 13 04 -- _tPraisesong for BB -- _tGoodbye to All That -- _tPublic Letter: Visible Ink -- _tDubonnet -- _tArchives: The Public Library I -- _tArchives: The Public Library II
505	0	0	_aLegend of Jeannie TurnerTCAT Serenade -- _tSherley Anne Williams: 1944-1999 -- _tChloe: Black Pastoral Luminous -- _tHandmade Book on the Theme of the Beloved -- _tPigeon -- _tArtist on a Cellphone (Yaddo) -- _tVote (Providence) -- _tMarilyn -- _tTattoo -- _tCopenhagen -- _tNotes on Our Resident Humanist: Mahler B. Ryder, 1937-1992 -- _tOstseebad Ahrenshoop -- _tRibs -- _tCharlotte and Nathan Exchange: 50th Anniversary -- _tCharlotte to Nathan -- _tNotes on the Hopi -- _tCritical Mass -- _tHemingway's Iceberg -- _tSaint Dolores (Phillips Exeter Academy)
505	0	0	_aDays Remaining/Bloom's Day, DublinFreud: Lessons on Boundaries -- _tGeorge J. Makari Blues -- _tSongbirds (Habitat) -- _tPonta de Areia [Brazil] -- _tTagore (Nobel, 1913) -- _tOn Brodsky's Collected -- _tThree Poems: October 17, 2004 -- _tI. Archival Secrets of Mary Lincoln -- _tII. At the Square -- _tIII. The Secret Lore of Will's Presidency -- _tZen: The Trainride Home to the Welcome Table -- _tThe Flight Home -- _tTatum -- _tBaseball (Orb) -- _tJosh Gibson (Master of National Past) -- _tBlackjack -- _tLook Backwards: Henry Aaron's Hammer
505	0	0	_aA Centenary Ode to EKE: The Duke of EllingtonRay Charles Robinson Dead at 73 -- _tWomb of Space (Yaddo) -- _tWhat I Know This Very Day -- _tAlong Came Betty -- _tRepeat Button -- _tDigesting Dexter Gordon at 80 -- _tGoodbye Pork Pie Hat -- _tPhoto: Letter (Joel Chandler Harris) -- _tErnesto Victor Antonucci -- _t'Craft'Talk, Vermont Studio Center -- _tElder -- _tOn the Theme of Self-Knowledge and Education In Society Though Not Defined by Falsehoods -- _tJoseph Santos Ileto -- _tThe Broke and the Unbroken -- _tJacuzzi Serenade -- _tOn Arrival -- _tChristine Frey's Resurrection
520	0		_a"For decades, Michael S. Harper has written poetry that speaks with many voices. His work teems with poetry configured as awe, poetry as courtship, and poetry as elegy and homage. Infused with tales and riddles, sass and satire and surprise, Harper's poetry takes the form of psalms, jazz experiments, soft serenades, and radical provocations." "In Use Trouble, his first major collection since Songlines in Michaeltree, Harper renews poetry as the art of taking nothing for granted. In three groups - "The Fret Cycle," "Use Trouble," and "I Do Believe in People"--He draws on his seemingly inexhaustible resources to paint, sing, sympathize, and sorrow. Here are his tributes to his father and family, his irrepressible playfulness, and his lifelong romance between poetry and music."--Jacket.
530			_a2 _ub
650		0	_aAmerican poetry.
650		0	_aAmerican literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569743&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2009 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98334 _d98334
902			_a1 _bCynthia Snell _c1 _dCynthia Snell