| 000 | 03379cam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | ocn708738115 | ||
| 003 | OCoLC | ||
| 005 | 20240726105356.0 | ||
| 008 | 100224s2010 ilua ob s001 0 eng | ||
| 010 | _a2019718351 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDXCP _dE7B _dOSU _dCOO _dNT _dJSTOR _dOCLCF _dP@U _dIDEBK _dEBLCP _dCUS _dDEBSZ _dAZK _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dEZ9 _dSTF _dWRM _dVNS _dVTS _dICG _dVT2 _dAU@ _dWYU _dLVT _dYOU _dA6Q _dDKC _dM8D _dKCP _dUKCRE _dCDX |
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| 015 |
_aGBB075106 _2bnb |
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| 016 | 7 |
_a015583256 _2Uk |
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| 020 |
_a9780252090134 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub |
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| 043 | _aa-ja--- | ||
| 050 | 0 | 0 |
_aGV1783 _b.B886 2010 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aFraleigh, Sondra Horton, _d1939- _e1 |
|
| 245 | 1 | 0 |
_aButoh : _bmetamorphic dance and global alchemy / _cSondra Fraleigh. |
| 260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2010. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 504 | _a2 | ||
| 505 | 0 | 0 |
_aButoh alchemy -- _tThe morphology of Butoh -- _tIs Butoh a philosophy? -- _tOne thousand days of sunshine and peace -- _tWhole world friend -- _tHistory lessons -- _tCrocodile time -- _tGoya la quinto del sordo -- _tThe sounding bell -- _tAncient dance and headless -- _tSalt -- _tDa Vinci -- _tThe cosmos in every corner -- _tRisky plastic -- _tFine bone China -- _tMoving MA -- _tWeak with spirit -- _tWalking woman -- _tTorn -- _tButoh ritual Mexicano -- _tMourning the earth -- _tQuick silver -- _tDaemon of the riverbank -- _tUrsprung -- _tKuu (emptiness). |
| 520 | 0 | _a"Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its midcentury founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences."--Publisher. | |
| 530 |
_a2 _ub |
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| 650 | 0 | _aButÅ. | |
| 650 | 0 |
_aModern dance _zJapan. |
|
| 650 | 0 |
_aZen arts _zJapan. |
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| 655 | 1 | _aElectronic Books. | |
| 856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569665&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 |
_cOB _D _eEB _hGV.. _m2010 _QOL _R _x _8NFIC _2LOC |
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| 994 |
_a92 _bNT |
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| 999 |
_c98291 _d98291 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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