000			02041cam a2200409 i 4500
001			ocn741558444
003			OCoLC
005			20240726105355.0
008			101001s2011 ilu ob 001 0 eng
010			_a2019717368
040			_aDLC _beng _erda _cDLC _dE7B _dDEBSZ _dYDXCP _dNT _dJSTOR _dP@U _dOCLCF _dCOO _dEBLCP _dAZK _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dEZ9 _dSTF _dWRM _dVTS _dICG _dINT _dVT2 _dWYU _dLVT _dDKC _dM8D _dAU@ _dHS0 _dCDX
020			_a9780252093203 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
043			_an-us---
050	0	0	_aTK7881 _b.S665 2011
049			_aMAIN
100	1		_aGoodale, Greg, _d1966- _e1
245	1	0	_aSonic persuasion : _breading sound in the recorded age / _cGreg Goodale.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2011.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aStudies in sensory history
504			_a2
505	0	0	_aReading sound -- _tFitting sounds -- _tMachine mouth -- _tThe race of sound -- _tSounds of war -- _tOn sound criticism.
520	8		_aThis title critically analyzes a range of sounds on vocal and musical recordings, on the radio, in film, and in cartoons to show how sounsd are used to persuade in subtle ways.
530			_a2 _ub
650		0	_aSound _xRecording and reproducing _zUnited States _xHistory.
650		0	_aSound recordings _xSocial aspects _zUnited States _xHistory.
650		0	_aPersuasion (Psychology)
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569633&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hTK. _m2011 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98259 _d98259
902			_a1 _bCynthia Snell _c1 _dCynthia Snell