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001 on1097162577
003 OCoLC
005 20240726105355.0
008 200504s2011 ilu ob 001 0 eng
010 _a2019716483
040 _aDLC
_beng
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016 7 _a015864396
_2Uk
020 _a9780252093579
_q((electronic)l(electronic)ctronic)-book
020 _a9781283582858
020 _a9786613895301
020 _a661389530X
042 _apcc
043 _acc-----
050 0 0 _aGV1631
_b.C375 2011
049 _aMAIN
100 1 _aDaniel, Yvonne,
_d1940-
_e1
245 1 0 _aCaribbean and Atlantic diaspora dance :
_bigniting citizenship /
_cYvonne Daniel.
260 _aUrbana, Ill. :
_bUniversity of Illinois Press,
_c(c)2011.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
520 0 _a" In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher.
505 0 0 _a""Cover""; ""Title Page""; ""Copyright Page""; ""CONTENTS""; ""List of Illustrations""; ""Acknowledgments""; ""Preface""; ""Chapter 1. Diaspora Dance: Courageous Performers""; ""Chapter 2. Diaspora Dance in the History of Dance Studies""; ""Chapter 3. Contredanse and Caribbean Bodies""; ""Chapter 4. Creole Dances in National Rhythms""; ""Chapter 5. Caribbean Popular Dance: Transformations""; ""Chapter 6. Parading the Carnivalesque: Masking Circum-Caribbean Demands""; ""Chapter 7. Resilient Diaspora Rituals""; ""Chapter 8. Ferocious Dance""
505 0 0 _a""Chapter 9. Tourism, Globalization, and Caribbean Dance""""Conclusion. Igniting Diaspora Citizenship""; ""Notes""; ""Bibliography""; ""Index""; ""Illustrations""
530 _a2
_ub
650 0 _aDance
_zCaribbean Area.
650 0 _aDance
_xSocial aspects
_zCaribbean Area.
650 0 _aDance
_xAnthropological aspects
_zCaribbean Area.
650 0 _aDance
_zCaribbean Area
_xAfrican influences.
650 0 _aDance
_zCaribbean Area
_xEuropean influences.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569580&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hGV
_m2011
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c98227
_d98227
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell