000 | 03627cam a2200493 i 4500 | ||
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001 | on1097162577 | ||
003 | OCoLC | ||
005 | 20240726105355.0 | ||
008 | 200504s2011 ilu ob 001 0 eng | ||
010 | _a2019716483 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCF _dAU@ _dOCLCO _dYDXCP _dE7B _dCDX _dNT _dJSTOR _dP@U _dCOO _dEBLCP _dDEBSZ _dAZK _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dJBG _dIOG _dU3W _dEZ9 _dSTF _dVNS _dWRM _dVTS _dICG _dINT _dVT2 _dWYU _dLVT _dYOU _dA6Q _dDKC _dM8D _dKCP _dUKCRE |
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016 | 7 |
_a015864396 _2Uk |
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020 |
_a9780252093579 _q((electronic)l(electronic)ctronic)-book |
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020 | _a9781283582858 | ||
020 | _a9786613895301 | ||
020 | _a661389530X | ||
042 | _apcc | ||
043 | _acc----- | ||
050 | 0 | 0 |
_aGV1631 _b.C375 2011 |
049 | _aMAIN | ||
100 | 1 |
_aDaniel, Yvonne, _d1940- _e1 |
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245 | 1 | 0 |
_aCaribbean and Atlantic diaspora dance : _bigniting citizenship / _cYvonne Daniel. |
260 |
_aUrbana, Ill. : _bUniversity of Illinois Press, _c(c)2011. |
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300 | _a1 online resource | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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504 | _a2 | ||
520 | 0 | _a" In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher. | |
505 | 0 | 0 | _a""Cover""; ""Title Page""; ""Copyright Page""; ""CONTENTS""; ""List of Illustrations""; ""Acknowledgments""; ""Preface""; ""Chapter 1. Diaspora Dance: Courageous Performers""; ""Chapter 2. Diaspora Dance in the History of Dance Studies""; ""Chapter 3. Contredanse and Caribbean Bodies""; ""Chapter 4. Creole Dances in National Rhythms""; ""Chapter 5. Caribbean Popular Dance: Transformations""; ""Chapter 6. Parading the Carnivalesque: Masking Circum-Caribbean Demands""; ""Chapter 7. Resilient Diaspora Rituals""; ""Chapter 8. Ferocious Dance"" |
505 | 0 | 0 | _a""Chapter 9. Tourism, Globalization, and Caribbean Dance""""Conclusion. Igniting Diaspora Citizenship""; ""Notes""; ""Bibliography""; ""Index""; ""Illustrations"" |
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_a2 _ub |
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650 | 0 |
_aDance _zCaribbean Area. |
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650 | 0 |
_aDance _xSocial aspects _zCaribbean Area. |
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650 | 0 |
_aDance _xAnthropological aspects _zCaribbean Area. |
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650 | 0 |
_aDance _zCaribbean Area _xAfrican influences. |
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650 | 0 |
_aDance _zCaribbean Area _xEuropean influences. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569580&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hGV _m2011 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c98227 _d98227 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |