000			03382cam a2200397 i 4500
001			ocn826684864
003			OCoLC
005			20240726105354.0
008			111028s2012 ilua ob 001 0 eng
010			_a2019718188
040			_aDLC _beng _erda _cDLC _dYDXCP _dE7B _dCOO _dNT _dIDEBK _dJSTOR _dOCLCF _dP@U _dEBLCP _dAZK _dAGLDB _dMOR _dPIFAG _dMERUC _dJBG _dIOG _dZCU _dU3W _dEZ9 _dBETBC _dSTF _dWRM _dVTS _dCOCUF _dNRAMU _dICG _dINT _dVT2 _dWYU _dLVT _dYOU _dTKN _dDKC _dM8D _dCDX
016	7		_a016025937 _2Uk
043			_an-usu--
050	0	0	_aML3187 _b.T446 2012
049			_aMAIN
100	1		_aHarrison, Douglas, _d1975- _e1
245	1	0	_aThen sings my soul : _bthe culture of southern gospel music / _cDouglas Harrison.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusic in American life
504			_a2
505	0	0	_aIntroduction : A native informant's report from the field -- _tGlory bumps, or the psychodynamics of the southern gospel experience -- _tNostalgia, modernity, and the reconstruction roots of a tradition -- _tThe rise of "southern" gospel music and the compensations of history -- _tThe gaitherization of contemporary southern gospel -- _tSouthern gospel in the key of queer -- _tEpilogue : the soul's best song -- _tList of songs referenced -- _tAppendix : methods and preliminary findings of a survey of attitudes and beliefs about southern gospel music.
520	0		_aIn this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. Harrison's discussion includes the "gay-gospel paradox"--The experience of non-heterosexuals in gospel music--as emblematic of fundamentalism's conflict with the postmodern world [Publisher description.
530			_a2 _ub
650		0	_aGospel music _zSouthern States _xHistory and criticism.
650		0	_aPopular culture _xReligious aspects.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569570&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98217 _d98217
902			_a1 _bCynthia Snell _c1 _dCynthia Snell