000			03679cam a2200469 i 4500
001			ocn842264573
003			OCoLC
005			20240726105354.0
008			110725s2012 ilua ob s001 0 eng
010			_a2019718200
040			_aDLC _beng _erda _cDLC _dCDX _dYDXCP _dE7B _dIDEBK _dJSTOR _dP@U _dOCLCF _dCOO _dEBLCP _dAZK _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dEZ9 _dSTF _dWRM _dVTS _dNRAMU _dICG _dINT _dVT2 _dWYU _dLVT _dDKC _dAU@ _dM8D _dNJP _dKCP _dUKCRE _dNT
020			_a9780252093906 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	0	_aPS310 _b.H693 2012
049			_aMAIN
100	1		_aNewcomb, John Timberman. _e1
245	1	0	_aHow did poetry survive? : _bthe making of modern American verse / _cJohn Timberman Newcomb.
246	3	0	_aMaking of modern American verse
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction. A modernism of the city -- _tInventing the new verse -- _tAmerican poetry on the brink, 1905-1912 -- _tPoetry's opening door : Harriet Monroe and American modernism -- _tYoung, blithe, and whimsical : the avant-gardism of the masses -- _tThere is always others : experimental verse and "ulterior social result" -- _tVolunteers of America, 1917 : the seven arts and the Great War -- _tKeys to the city -- _tGutter and skyline : the new verse and the metropolitan cityscape -- _tFootprints of the 20th century : American skyscrapers, modern poems -- _tSubway fare : toward a poetics of rapid transit.
520	0		_aHow Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes.
530			_a2 _ub
650		0	_aAmerican poetry _y20th century _xHistory and criticism.
650		0	_aModernism (Literature) _zUnited States.
650		0	_aPoetry _xAuthorship _xPsychological aspects.
650		0	_aPoets, American _y20th century _xPsychology.
650		0	_aSocial change in literature.
650		0	_aSocial conflict in literature.
650		0	_aCity and town life in literature.
650		0	_aTechnology in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569549&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98196 _d98196
902			_a1 _bCynthia Snell _c1 _dCynthia Snell