000			03965cam a2200433 i 4500
001			ocn816042048
003			OCoLC
005			20240726105354.0
008			200430s2012 ilu ob 001 0 eng
010			_a2019716467
040			_aDLC _beng _erda _cDLC _dYDXCP _dIDEBK _dE7B _dNT _dKMS _dJSTOR _dP@U _dCOO _dEBLCP _dAZK _dAGLDB _dMOR _dPIFAG _dMERUC _dCTL _dJBG _dIOG _dZCU _dU3W _dEZ9 _dSTF _dWRM _dVTS _dCOCUF _dNRAMU _dICG _dINT _dVT2 _dLVT _dYOU _dWYU _dTKN _dDKC _dAU@ _dM8D _dCDX
020			_a9780252094323 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_an-us---
050	0	0	_aML1083 _b.A236 2012
049			_aMAIN
245	1	0	_aThe accordion in the Americas : _bklezmer, polka, tango, zydeco, and more! / _cedited by Helena Simonett.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusic in American life
504			_a2
505	0	0	_aFrom old world to new shores / _rHelena Simonett -- _tAccordion jokes : a folklorist's view / _rRichard March -- _tFrom chanky-chank to Yankee chanks : the Cajun accordion as identity symbol / _rMark F. DeWitt -- _tGarde ici et garde lá-bas : Creole accordion in Louisiana / _rJared Snyder -- _t"Tejano and proud" : regional accordion traditions of South Texas and the border region / _rCathy Ragland -- _tPreserving territory : the changing language of the accordion in Tohono O'odham waila music / _rJanet Sturman -- _tAccordions and working-class culture along Lake Superior's South Shore / _rJames P. Leary -- _tPlay me a tarantella, a polka, or jazz : Italian Americans and the currency of piano accordion music / _rChristine Zinni -- _tThe klezmer accordion : an outsider among outsiders / _rJoshua Horowitz -- _tBeyond Vallenato : the accordion traditions in Colombia / _rEgberto Bermúdez -- _t"A hellish instrument" : the story of the tango bandoneón / _rMaria Susana Azzi -- _tNo ma' se oye el fuinfuán : the noisy accordion in the Dominican Republic / _rSydney Hutchinson -- _tBetween the folds of Luiz Gonzaga's sanfona : forré music in Brazil / _rMegwen Loveless -- _tThe accordion in new scores : paradigms of authorship and identity in William Schimmel's musical "realities" / _rMarion S. Jacobson.
520	0		_aThis collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.
530			_a2 _ub
650		0	_aAccordion _zUnited States _xHistory.
650		0	_aAccordionists _zUnited States.
650		0	_aAccordion music _xSocial aspects _zUnited States.
650		0	_aImmigrants _zUnited States _xMusic _xHistory and criticism.
655		1	_aElectronic Books.
700	1		_aSimonett, Helena, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569545&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98192 _d98192
902			_a1 _bCynthia Snell _c1 _dCynthia Snell